Aaron Landsman is a New York City-based playwright, actor, and teacher whose performance works combine formal experimentation and long-term community engagement. His works have been presented in several US cities, and internationally in Belarus, Serbia, Norway, and the UK, in such diverse settings as office spaces, apartments, and meeting rooms. Since 2004, Landsman has been a company member with Elevator Repair Service. A 2014-16 Princeton Arts Fellow, Landsman has taught at New York University and The Juilliard School, and has guest lectured widely on artistic process, collaboration, and professional development for artists. His writing has appeared in Painted Bride Quarterly, Clackamas Literary Review, Theater, The Village Voice, and others. Landsman served as a Pew Fellowships panelist in 2012 and a 2016 LOI panelist in Performance.
Local and international artists came together for a series of concerts and educational programs.
Tenor Vinson Cole has sung at most major opera houses across the globe, and worked with many of the world’s leading orchestral conductors.
In this month’s Pew Fellows news, Justin Cronin’s book The City of Mirrors debuts at the top of The New York Times Best Sellers list, J.C. Todd wins the Rita Dove Poetry Prize, and we introduce 12 new Pew Fellows.
Montgomery County Community College’s Then and Now: Jazz Cubano series kicks off with a performance by Poncho Sanchez and his Latin Band.
The University of the Arts operates within an urban setting that affords a unique perspective on incorporating innovative design into the public realm in a fast-changing city.
The Unofficial Guide to Audience Watching Performance is an evening-length autobiographical dance, the culmination of Philadelphia-based breakdancer Raphael Xavier’s 30 years of experience in hip-hop genres. Xavier, a 2013 Pew Fellow, plays with the rhythms of rap, break dancing and narrative to draw parallels between the performer’s body and the stage itself.
Matt Porterfield has written, directed, and produced three feature films, Hamilton (2006), Putty Hill (2011), and I Used To Be Darker (2013).
The company is dedicated to making critically important performance opportunities available to the current generation of opera and theatrical performers, designers, and directors.
A performance piece interpreting classical South Indian music and dance, inspired by themes of liberty and freedom drawn from Philadelphia’s history.
A Fierce Kind of Love, a new play about the fight for disability rights, will be part of a series of public programs meant to generate public discussion beyond the disability community.
InterAct Theatre Company produced a play in which the symbolism of the “sports entertainment” industry isused to explore Americans’ fears of terrorism, extremism, and globalization.
Recognized as one of the world’s leading conservatories, The Curtis Institute of Music (Curtis) was founded in 1924 by Mary Louise Curtis Bok. Curtis has educated and trained some of the most exceptionally gifted young musicians from around the world for careers as performing artists on the highest professional level.