“I am drawn to composing large-scale work that allows time for the material to unfold, develop, and transform.”
Over the last 30 years, Andrea Clearfield (b. 1960) has composed more than 125 works for orchestra, chorus, chamber ensemble, dance, and multimedia collaborations, exploring subjects ranging from freedom and oppression, to ancient cultures, religion, health, and technology. Clearfield creates deep, emotive musical languages that she says, “synthesize disparate elements into a musical whole” and “build cultural and artistic bridges.” Her 2012 cantata, Tse Go La (At the threshold of this life) for double chorus, electronics, and chamber orchestra incorporates Tibetan melodies, inspired by fieldwork that she conducted in the remote Himalayan region of Lo Monthang. Her first opera, MILA, Great Sorcerer, based on the life of an 11th-century Tibetan yogi, is currently being developed by American Lyric Theater for a 2017-18 premiere in New York City. Clearfield has been a fellow at the American Academy in Rome, and has held residencies at the Rockefeller Foundation’s Bellagio Center and The MacDowell Colony. She holds a DMA in music composition from Temple University and an MM in piano performance from The University of the Arts. Clearfield has been the pianist in the Relâche Ensemble since 1990, and she is founder and host of the Philadelphia Salon, a monthly performance series established in 1986.
Playwright and 2008 Pew Fellow J. Rufus Caleb strives to create theater experiences that are “as visceral as they are intellectual.”
Electronic Music 2012, presented by The Pew Center for Arts & Heritage on December 13, 2012, investigated the evolving American electronic musical experience and how it relates now to cultural expectations.
The Academy of Vocal Arts is focused on rigorous instruction and coaching for young opera artists, and presentations of resident artists from around the world.
WXPN general manager Roger LaMay talks with us about how digital platforms have shifted the role of curation in radio, the importance of collaboration in reaching new audiences, and what distinguishes WXPN from other media outlets.
Jazz Bridge presents a performance featuring bassist Christian McBride and guitarist Monnette Sudler.
That’s the thing that I find important about theater: describing moments that you’ve had in your life, that you’ve never been able to put words to.
A workshop and small grant opportunity, No Idea Is Too Ridiculous allows Center constituents to explore creativity and risk-taking.
The company is dedicated to making critically important performance opportunities available to the current generation of opera and theatrical performers, designers, and directors.
Andrew McIntyre, a co-founder of Morris Hargreaves McIntyre, is one of the UK’s leading authorities on audience motivation, behavior and response.
A number of Center-supported performances take the stage this summer, including seven new musical commissions by The Crossing and the world premiere of Pablo Batista’s music and dance production El Viaje (The Journey).
South African theater artist Brett Bailey will visit Philadelphia for a three-week residency and a presentation of his adaptation of Verdi’s opera Macbeth, set in the Democratic Republic of Congo, presented in collaboration with Opera Philadelphia.
The Philadelphia Museum of Art commissioned new works by French composers Tristan Murail and Philippe Hurel, inspired by the masterworks of sculptor Auguste Rodin.