Bill T. Jones is a multi-talented artist, choreographer, dancer, theater director and writer. Thirty years ago, he co-founded the Bill T. Jones/Arnie Zane Dance Company, now recognized as one of the most innovative and powerful forces in the dance theater world. In early 2013, the Company presented Body Against Body, a re-performance of works from the early 1980s, at Philadelphia’s Painted Bride Art Center with funding from The Pew Center for Arts & Heritage. Jones’s major honors range from a 1994 MacArthur “Genius” Award to Kennedy Center Honors in 2010. He was inducted into the American Academy of Arts & Sciences in 2009 and named an “Irreplaceable Dance Treasure” by the Dance Heritage Coalition in 2000. He earned a 2007 Tony Award for Best Choreography in Spring Awakening, as well as a 2010 Tony for Best Choreography in the critically acclaimed FELA!, a musical co-conceived, co-written, directed and choreographed by Jones.
Jones is also the executive artistic director of New York Live Arts, a theater and studio space designed as “a destination for innovative movement-based artistry offering audiences access to art and artists notable for their conceptual rigor, formal experimentation and active engagement with the social, political and cultural currents of our times.” Founded in Chelsea in 2011 through a merger of the Bill T. Jones/Arnie Zane Dance Company and Dance Theater Workshop, New York Live Arts offers public programs and supports artists’ continuing professional development.
In March 2013, Jones engaged in a conversation with fellow choreographer Susan Rethorst, moderated by Lois Welk, director of Dance/USA Philadelphia, and organized and produced by The Pew Center for Arts & Heritage. The two dancer-choreographers, who are the same age, discussed their distinct practices and the evolution of the field.
The Community Education Center has grown into an arts organization with a focus on cultivating a support system for artists, supported through residency and service programs.
Anthony Smyrski and Dan Murphy, the artist duo that constitutes Megawords, worked with four European artists to plan for the creation of a roving media production lab.
Congolese dancer Faustin Linyekula is a leading contemporary African choreographer and the founder of Studios Kabako.
This new theater work was a cowboy-clown odyssey presenting fragments of a mythic American desertscape.
Founded in 1969, Kùlú Mèlé African Dance and Drum Ensemble seeks to preserve, present, and build upon the dance and music of Africa and the African Diaspora.
The New Year brings to the region an exciting array of Center-funded projects that promise to inspire, inform, and captivate audiences—from interdisciplinary works that blur boundaries in imaginative ways to unique commissions from international artists.
Opera Philadelphia will implement a new business and program model that will feature an annual season-opening, multi-venue festival, launching in fall 2017, supported by new marketing strategies and a broad range of performance offerings designed to draw audiences from both inside and outside the regional metropolitan area.
An original composition by jazz pianist Jason Moran was developed in conjunction with the exhibition Gee’s Bend: The Architecture of the Quilt.
Caribbean-American dancer-choreographer Tania Isaac (Pew Fellow, 2011) fuses choreography with personal documentary and social commentary.
Contemporary Renaissance man, 2011 Pew Fellow, and “idea factory” Jorge Cousineau counts set design, lighting design, videography, and music composition among his talents.
Through the ongoing Center-funded project re-PLACE-ing Philadelphia, Painted Bride Art Center presents a new work by choreographer and Guggenheim Fellow Reggie Wilson.