“You have to almost exhaust yourself sometimes to let yourself say what it is, or do what it is, in the most honest way.”
Charles O. Anderson (b. 1971) approaches choreography as metaphor for kinetic storytelling or testimony. His work strives to illuminate the ability of African-informed movement to reconcile the physical with the spiritual. In 2001, he founded dance theatre X, where he marries traditional and contemporary Africanist dance styles (African, hip-hop, samba, etc.) with the spoken word, and the formal concerns of western dance (postmodern dance and ballet) in such a way as to give contemporary, but historically textured voice to marginalized Africanist perspectives (on the concert stage). Anderson often collaborates with other artists, including King Britt, a 2007 Pew Fellow.
Anderson earned a B.A. in Dance from Cornell University, Ithaca, NY and an M.F.A. with honors from Temple University in Philadelphia, were he was a Future Faculty Fellow. He has also received training and mentoring with Vincent Sekwati Koko Mantsoe of South Africa and training with Ronald K. Brown in New York. He has performed at the FringeArts Festival; The Wilma Theater; Improvised and Otherwise Dance Festival, New York; and International Festival of Modern Dance, Kaunas, Lithuania. Among his awards are grants from the Philadelphia Cultural Fund and the Puffin Foundation, and a Center for International Educational Exchange Fellowship to South Africa.
Toshi Reagon has collaborated with top innovators across a wide spectrum of the entertainment field for nearly 30 years. Reagon served as an LOI panelist in Performance in 2015.
This Spanish-language, ensemble-devised performance piece will examine American privilege and the complexities of cultural identity, informed by Torra’s personal experience as a Cuban American.
A series of discussions will be held with acclaimed French choreographer Boris Charmatz and various artists and cultural practitioners.
As part of the ongoing retrospective Trisha Brown: In the New Body, Bryn Mawr College presents a conversation with former Trisha Brown Dance Company members Eva Karczag and Lisa Kraus.
We speak to filmmaker and Emmy-nominated director Ted Passon, whose work explores human relationships and how they shape our world.
Voloshky Ukrainian Dance Ensemble celebrated its 40th anniversary with the world premiere of Carnival, an original dance piece by contemporary choreographer Mark Morris.
Established in 1963, Pennsylvania Ballet has extended its important Balanchine-based repertoire by presenting new works by a variety of contemporary choreographers.
Jennifer Higdon wins a International Opera Award for Cold Mountain, Geoff Sobelle’s one-man play The Object Lesson will be presented at New York Theatre Workshop, and a mid-career retrospective book of Bo Bartlett’s paintings is published.
Recognized as one of the world’s leading conservatories, The Curtis Institute of Music (Curtis) was founded in 1924 by Mary Louise Curtis Bok. Curtis has educated and trained some of the most exceptionally gifted young musicians from around the world for careers as performing artists on the highest professional level.
Ballet répétiteurs such as Ruanne work one-on-one with dance artists to articulate and find the essence of a character or particular portrayal that becomes distinctive to their physicality.
Flatland 2010 was Jumatatu Poe’s first evening-length work. The final piece incorporated structured audience feedback that Poe received after two work-in-progress showings.
Bobby Zankel is a musician and a 1996 Pew Fellow.