Pew Fellow, 1992
Philadelphia Dance Projects produced the Local Dance History Project, reuniting five prominent Philadelphia dancers to examine the development of contemporary dance in the city.
Silvana Cardell is a choreographer, dancer and, educator, whose choreographic impulses are defined by her experience as an Argentine expatriate living, working, and raising a family in the United States.
Claire Aguilar is the director of programming and industry engagement at Sheffield Doc/Fest, an international film festival that celebrates the art and business of documentary filmmaking.
Terrence Cameron is a musician and a 2000 Pew Fellow in folk and traditional arts.
La Curva features Bacán’s spare singing, Courvoisier’s atonal and dissonant compositions, and Galván’s score that employs rhythms from his own footwork.
Claire Tancons is a curator, writer and researcher whose work focuses on carnival, public ceremonial culture, and popular movements.
Paula Marincola was named the first executive director of The Pew Center for Arts & Heritage in June 2008. She leads the organization in developing and implementing its strategic agenda as both grantmaker and hub for knowledge-sharing.
Founded in 2005 by Christine Cox and Matthew Neenan, BalletX unites distinguished choreographers with a company of world-class dancers to “forge new works of athleticism, emotion, and grace.”
New York choreographer David Gordon, a founding artist of New York’s Judson Dance Theater, worked with Susan Hess Modern Dance to re-envision his 2009 piece Uncivil Wars: Moving with Brecht & Eisler.
Leah Stein, the Mendelssohn Club of Philadelphia, and composer Pauline Oliveros collaborated on a new music and dance work.
An urban performing arts center on the campus of the University of Pennsylvania, the Annenberg Center presents touring theater, jazz, and world music.
An actor, director, stage designer, and playwright, Thaddeus Phillips “creates visual spectacles that take audiences to new frontiers.”