Pew Fellow, 1995
Published in 2001, Curating Now: Imaginative Practice/Public Responsibility documents a symposium that addressed the state of curatorial practice.
Stefan Sagmeister’s The Happy Show, on view at the Institute of Contemporary Art in the spring and summer of 2012, was featured in the New York Times.
Curatorial planning informed a series of exhibitions presented during the 2010 National Council on Education in the Ceramic Arts Conference.
The Institute on Disabilities at Temple University holds an opening reception for Here: Stories from Selinsgrove Center and KenCrest Services.
Development of a preservation plan considered Fleisher Art Memorial’s historic buildings on Catharine Street in South Philadelphia.
Named for Doylestown’s most famous son, the Pulitzer Prize-winning writer James A. Michener, this museum was founded in 1988 with a regional focus, housing a collection of Pennsylvania impressionist paintings.
Megawords (run by Dan Murphy and Anthony Smyrski, both Pew Fellows) is self-described as “an experimental media project” that takes the form of a biannual photography magazine, as well as related installation projects and public events.
Nato Thompson is chief curator at Creative Time. He served as a Center panelist (2008) and evaluator (2010), and contributed to the Center’s Pigeons on the Grass, Alas series.
One of Philadelphia’s smartest and scrappiest small, no-profit art spaces, Marginal Utility is known for forging long-term commitments with artists.
Jan Krzywicki is a composer and a 1996 Pew Fellow.
Thomas F. DeFrantz directs SLIPPAGE: Performance|Culture|Technology and teaches in dance and African and African-American Studies at Duke University.
Isaiah Zagar is a mosaic mural artist and a 1995 Pew Fellow.