“Art-making leads to art-making. I learned to write by writing.”
J.C. Todd’s (b. 1943) poems investigate the impact of war, with an insistent eye and ear on language. Her current project, War Zone, explores containments and outbursts of resistance, with sonnets that “complicate and contemporize the tradition of war poems.” Todd’s writing seeks out the tender moments that exist in contrast to devastation. “If language bears the trace of war, how can that be revealed and perhaps shaken loose?” she asks. Todd received her M.F.A. in creative writing from Warren Wilson College in 1990, and she has since taught at universities and in the Writers-in-the-Schools Program. Her works include What Space This Body (Wind Publications, 2008) as well as two chapbooks: Nightshade and Entering Pisces (Pine Press, 1995 and 1985, respectively). She’s received fellowships and grants from the Pennsylvania Council on the Arts, the Leeway Foundation, and the Latvian Cultural Capital Fund. Other honors include an International Artist Exchange Award from the Virginia Center for the Creative Arts and a scholarship to the Baltic Centre for Writers and Translators.
Pew Fellow Raphael Xavier takes his Center-supported autobiographical dance, The Unofficial Guide to Audience Watching Performance, to Chicago.
Michael Auping is currently the chief curator at the Modern Art Museum of Fort Worth, known for his ambitious thematic and monographic exhibitions.
A young choreographer who has already produced provocative, experimental dance works, Poe (Pew Fellow, 2011) is the founder of dance/theater company idiosynCrazy productions.
In January 2009, Tanya Bowers came on as the director for diversity at the National Trust for Historic Preservation’s Washington, D.C. headquarters.
The Arden Theatre Company launched a playwright residency program that gives audiences behind-the-scenes access to the creative process of a theater production.
Sandra Brownlee is a weaver and a 1992 Pew Fellow.
In 1999 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 46 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
In 2001 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 57 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
First Person Arts commissioned San Francisco playwright/performer Dan Hoyle to develop a new journalistic theater work about the news—the organization’s first commissioned work for theater.
Dorothy Wilkie’s (Pew Fellow, 2007) choreography involves the re-staging and re-choreographing of traditional West African and Afro-Cuban dances.
Sandra Brownlee is a weaver and a 1992 Pew Fellow.
The Unofficial Guide to Audience Watching Performance is an evening-length autobiographical dance, the culmination of Philadelphia-based breakdancer Raphael Xavier’s 30 years of experience in hip-hop genres. Xavier, a 2013 Pew Fellow, plays with the rhythms of rap, break dancing and narrative to draw parallels between the performer’s body and the stage itself.
2013 Pew Fellow J. Louise Makary’s works on film combine dance, still photography, and experimental techniques, introducing unexpected, challenging elements into traditional narrative structure.
Exhibitions funded by the Center, as well as Pew Fellow Ryan Trecartin’s 55th Venice Biennale installation, made several top 10 lists in Artforum’s Best of 2013 December issue.
The major repository of the art of three generations of Wyeths (H.C, Andy, and Jamie), and steward of hundreds of acres of land where the artists worked, the Brandywine Museum is a national treasure.
Dancer, choreographer, and 2013 Pew Fellow Raphael Xavier takes hip-hop techniques from the street to the stage and tells the autobiographical story defined by sacrifice, passion, and transcendence.
You have to almost exhaust yourself sometimes to let yourself say what it is, or do what it is, in the most honest way.
The Winter 2013 issue of Trust, the official magazine of The Pew Charitable Trusts, features The Pew Center for Arts & Heritage’s artist residency program, established with arts colonies throughout North America.
In 2003 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 63 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Albright’s work in film spans documentary, installation, poetic animation, and short- and long-form narrative. One of his works-in-progress is Ceramic Flowers, a modern mash-up of The Odyssey and Ulysses, set in Las Vegas.
This month’s digest includes a BOMB Magazine interview with Chris Forsyth, international attention for Ryan Trecartin’s collaborative video installation at London’s Zabludowicz Collection, and a list of “must-see painting shows” from New American Paintings stocked with Pew Fellows.
Gabriel Quinn Bauriedel is a theater artist, director of the Pig Iron School for Advanced Performance Training, a co-founder and co-artistic director of Pig Iron Theatre Company, and a 2002 Pew Fellow.
Michael Djupstrom is a 2014 Pew Fellow and a classical music composer and pianist. He seeks to connect with audiences by bridging traditional and contemporary styles of musical expression.