Jeffery N. Bullock has performed with the North Carolina Dance Theater, Pacific Northwest Ballet, Pittsburgh Ballet Theater, and Hubbard Street Dance Chicago. He is currently chair of the dance department at Hollins College in Roanoke, VA and director of the graduate degree program in association with American Dance Festival. He served as a Center dance panelist in 2009 and 2011, as well as a LOI panelist in 2011.
Philadelphia Dance Projects has grown into an organization focused on presenting performances and workshops to challenge and develop local artists.
The White Box Residencies invited outside artists to creatively explore and interact with the Center’s physical space.
David Herskovits is the founder and artistic director of Target Margin Theater.
Two of India’s preeminent artists, Carnatic vocalist T.M. Krishna and bharata natyam dancer Priyadarsini Govind, will fuse classical South Indian music and dance in a world premiere that is the culmination of a two-year artistic collaboration, and is inspired by themes of liberty and freedom drawn from Philadelphia’s history.
Flamenco purists may consider Israel Galván a rebel, though he doesn’t see it that way.
Headlong Dance Theater produced Improvisation Lab, an interdisciplinary movement project that involved choreographer Miguel Gutierrez and Dan Rothenberg of Pig Iron Theatre Company.
Crossroads Music organizes public performances by accomplished musicians with roots in cultures from around the world.
Lauren Mabry (Pew Fellow, 2015) is a ceramist whose expressive and colorful “dimensional paintings,” as she describes them, play with form, texture, color, and scale and blur the boundaries between ceramics, abstract painting, and sculpture.
James Sugg (Pew Fellow, 2010) describes himself as a bridge—a bridge between music and theater, composer and performer, and traditional and ensemble-generated theater.
Anna Drozdowski, a curator of performance, hosts European duo Jonathan Burrows and Matteo Fargion for a two-week retrospective of their collaborative career. The two juxtapose the formality of music composition with a radical and open approach to performance, composition and audience.
As a presenting arts organization, the Painted Bride offers a wide range of work in music, dance, spoken word, and theater.
Robert Crowder (1930–2012) was the founder of Kùlú Mèlé African Dance and Drum Ensemble and a 2004 Pew Fellow in folk and traditional arts.