“There’s all this cool stuff that I can do in these spaces that becomes more interesting, because [I] have extra surfaces to work against, all these physical restrictions.”
A 2007 Pew Fellow, Kate Watson-Wallace is a Philadelphia-based choreographer and visual artist, and the co-director of anonymous bodies. Described by Philadelphia Weekly as someone who “busts apart classic audience-performer dynamics by framing the action up close […] and bringing art to audiences in common spaces,” Watson-Wallace is known for her small, site-specific works such as House and Car, taking her audiences on intimate, human-scaled journeys. She bucked this trend with her recent Center-supported projects, which focus on online contests, audiences and movement trends. House had a sold-out run at the 2006 FringeArts Festival, followed by a glowing New York Times review.
Watson-Wallace has participated locally in Satores (Bulgaria) Lab/Exchange; Artists U; Dance Theater Camp; and nationally in Glenwood Springs Dance Festival, CO. As a performer, she has danced as part of Jane Comfort and Company, New York; Group Motion, Philadelphia; and Carol Brown, Philadelphia and London, England. In 2006, Watson-Wallace was honored with two professional development grants from Dance Advance and a fellowship from the Pennsylvania Council of Arts. She has served as choreographer-in-residence at Susan Hess Modern Dance and performed as a dancer with Headlong Dance Theater.
Dorothy Wilkie’s (Pew Fellow, 2007) choreography involves the re-staging and re-choreographing of traditional West African and Afro-Cuban dances.
Marc Brodzik (Pew Fellow, 2009) is a visual artist and documentary filmmaker interested in filming portraits of the common man.
This month, Afaa Michael Weaver is awarded the $100,000 Kingsley Tufts Poetry Award, Joshua Mosley’s work appears at the Whitney Biennial, King Britt curates at MoMA PS1, and much more.
In 2003 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 63 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Originally created with Center support for the 2012 FringeArts Festival, Georgia Tech Arts now presents Thaddeus Phillips’ Red-Eye to Havre de Grace at the Ferst Center for the Arts.
Ballet répétiteurs such as Ruanne work one-on-one with dance artists to articulate and find the essence of a character or particular portrayal that becomes distinctive to their physicality.
Pattie McCarthy, a 2011 Pew Fellow, has established herself as a serious and ambitious young poet with a strong sense of language and tradition.
A weeklong series honored the prolific composer’s 75th birthday with concerts, lectures, and workshops.
Filmmaker and Pew Fellow David Scott Kessler on creating environmentally-conscious art, turning limitations into creative assets, and more.
Composer Phil Kline and choreographer Wally Cardona presented a new site-specific work at the Metropolitan Opera House.
Jaye Allison collaborated with the 2nd Generation Silver Belles tap group to create a new work honoring the five original Silver Belles.
In addition to company productions, Group Motion hosts regular improvisational movement workshops, which allow the public to employ dance as a language of expression.