“That’s the thing that I find important about theater: describing moments that you’ve had in your life, that you’ve never been able to put words to.”
Katharine Clark Gray (b. 1977) is a writer, producer, actor, and artist. In 2001 she created Governor’s Laundress Productions to produce challenging work for stage, including her own The B Side and You See Me Comin’ You Better Run. Gray also co-founded A Chip & A Chair Films, acting as the director of design. Gray states that what she loves to do is create works that explore the archetypes of sex, politics, or religion through the prism of “making a living.”
Gray’s plays include 516 (five sixteen), User 927, True Dreams of Wichita, Wired Shut, and Riot Standard. These works have been produced at various theaters, including the Drilling Company, New York, NY; 3 Graces Theatre Company, New York, NY; and the Manhattan Theatre Source Estrogenius Festival. Most recently her play 516 (five sixteen) premiered at the New York International Fringe, courtesy of Roust Theatre Company, New York, NY. Gray received a Barrymore Award in 2007 with Brat Productions, Philadelphia.
Pew Fellow and visual artist Benjamin Volta leads an artmaking workshop as part of Historic Germantown’s ongoing Center-funded project Elephants on the Avenue.
Over our first decade, the Center has been privileged to fund extraordinary work by our dynamic and talented community of practitioners. As we reflect on our history and set the stage for the future, we invite you to take a brief, retrospective journey with us through a lively video that looks back over this period.
The Wilma Theater produced the U.S. premiere of Tadeusz Słobodzianek’a play, which, beginning in a Polish primary-school classroom in 1925, follows 10 students—five Catholics and five Jews—over 80 years.
Pig Iron is a company specializing in exuberant ensemble-devised works. The organization has begun to train the next generation of daring physical theater artists through the Pig Iron School of Advanced Performing Training.
Director Michał Zadara and actress Barbara Wysocka on how classical works influence contemporary theater-making.
First Person Arts offers bi-monthly story slams, classes, and an annual festival dedicated to transforming real life into documentary art.
Daisy Fried is a poet and a 1998 Pew Fellow.
Bailey’s interpretation of Verdi’s opera, Macbeth, features a South African cast and examines post-colonial central Africa.
Jan Howard was appointed curator of prints, drawings, and photographs at the Museum of Art, Rhode Island School of Design (RISD) in 2000.
In this month’s Pew Fellows news highlights, The Philadelphia Inquirer celebrates ten years of Martha Graham Cracker, the alter ego of theater artist Dito van Reigersberg. Poet Major Jackson has published a new book with W.W. Norton & Company, and visual artist Gabriel Martinez opens a solo show at The Print Center this fall. DJ King Britt and performance artist Kate Watson-Wallace will co-curate a new music series as part of the 2015 Fringe Festival in September.
lê thị diễm thúy is a Vietnamese-American author, poet, and performance artist whose work explores the role of the body as the site of memory.