Lucinda Childs is one of America’s most important modern choreographers. She began her career as choreographer and performer in 1963 as an original member of the Judson Dance Theater in New York. After forming her own dance company in 1973, Childs collaborated with Robert Wilson and Philip Glass on the opera Einstein on the Beach in 1976, participating as principal performer and solo choreographer for which she received an Obie award. Beginning in 1979, Childs collaborated with a number of composers and designers on a series of large-scale productions. The first of these was Dance, choreographed in 1979 with music by Philip Glass, and a film/decor by Sol LeWitt, which continues to tour extensively in the United States and Europe and was cited by the Wall Street Journal (2011), as “one of the greatest achievements of the 20th century.” Available Light (1983), with music by John Adams and split-level set designed by Frank Gehry, will be revived as a centerpiece of the 2015 Fringe Festival, presented by FringeArts, in Philadelphia, supported by The Pew Center for Arts & Heritage.
Since 1981, Childs has received a number of commissions from major ballet companies and has choreographed and directed several opera productions. She is the recipient of a Guggenheim Fellowship and the NEA/NEFA American Masterpiece Award, and, in 2004, she was elevated from the rank of Officer to Commander in France’s Order of Arts and Letters.
The new web-based publication In Terms of Performance provokes dialogue, debate, and discovery in an anthology of keywords designed to generate shared literacies.
Established in 1963, Pennsylvania Ballet has extended its important Balanchine-based repertoire by presenting new works by a variety of contemporary choreographers.
Since 1993, Headlong Dance Theater has created over 40 works under the leadership of founders David Brick, Andrew Simonet, and Amy Smith.
Steve Rowland is a music documentarian and a 1997 Pew Fellow.
Cuban performance artist Tania Brugera will present her 1998 performance work Displacement.
The Pew Center for Arts & Heritage is pleased to announce its 2015 grants in support of the Philadelphia region’s cultural organizations and artists.
Performance art, pop-up storybook design techniques, and a cinematic score will combine in a visual theater work for children and adults devised and performed by Phillips, in collaboration with visual artist Steven Dufala and composer Juan Gabriel Turbay.
Network for New Music commissioned six new works for the Network Ensemble that paired composers with visual artists.
Theater artist Alex Torra creates devised, experimental performances that combine theater, dance, and music.
A Los Angeles-based dancer and choreographer, Dally is the artistic director of the Jazz Tap Ensemble, which she co-founded in 1979.
Two Center-funded performance projects—Supper, People on the Move and Facing Front: Lectures and Performance by Jonathan Burrows and Matteo Fargion—culminated at the end of June, gaining media attention from several regional news outlets.
Nichole Canuso’s TAKES, which traveled to the 3LD Art & Technology Center in New York City after its Philadelphia premiere, was covered in an article by the New York Times.