Lucinda Childs is one of America’s most important modern choreographers. She began her career as choreographer and performer in 1963 as an original member of the Judson Dance Theater in New York. After forming her own dance company in 1973, Childs collaborated with Robert Wilson and Philip Glass on the opera Einstein on the Beach in 1976, participating as principal performer and solo choreographer for which she received an Obie award. Beginning in 1979, Childs collaborated with a number of composers and designers on a series of large-scale productions. The first of these was Dance, choreographed in 1979 with music by Philip Glass, and a film/decor by Sol LeWitt, which continues to tour extensively in the United States and Europe and was cited by the Wall Street Journal (2011), as “one of the greatest achievements of the 20th century.” Available Light (1983), with music by John Adams and split-level set designed by Frank Gehry, will be revived as a centerpiece of the 2015 Fringe Festival, presented by FringeArts, in Philadelphia, supported by The Pew Center for Arts & Heritage.
Since 1981, Childs has received a number of commissions from major ballet companies and has choreographed and directed several opera productions. She is the recipient of a Guggenheim Fellowship and the NEA/NEFA American Masterpiece Award, and, in 2004, she was elevated from the rank of Officer to Commander in France’s Order of Arts and Letters.
Choreographer Jonathan Burrows and composer Matteo Fargion lead a master class investigating choreographic and compositional process, performance and philosophies, questioning how a performance can be made and what it might communicate to someone watching.
Fall kicks off with a packed schedule of Center-funded projects, including exhibition openings from Temple Contemporary and The Galleries at Moore, and performance premieres at the 2015 Fringe Festival that push the boundaries of genre and form.
Stephanie Richards is an avant-garde trumpeter and composer who has become a prominent voice in the New York experimental scene, collaborating with improvisational pioneers including Henry Threadgill, Butch Morris, John Zorn, Laurie Anderson, and Anthony Braxton.
Established in 2004, Jazz Bridge is a hybrid nonprofit organization joining performance presentation with professional support services for regional jazz and blues artists.
We speak with Xavier—2013 Pew Fellow, hip-hop dancer, and Post-it aficionado—whose recent work The Unofficial Guide to Audience Watching Performance was hailed by Dance Magazine as “artful and mesmerizing.”
Susie Ibarra is known for her innovative style and cultural dialogue as a composer, improviser, percussionist, and humanitarian.
Hip-hop artists and scholars will explore and unpack the experience of racism through music and lyrics.
Leading hip-hop artist Raphael Xavier brought together masterful street performers, extreme BMX riders, acrobatic contortionists, and live music by saxophonist and composer Bobby Zankel for a contemporary circus-style performance in City Hall’s courtyard that paid tribute to the soul of the urban street.
Annenberg Center Live presented Basil Twist’s Petrushka and held workshops for local puppeteers, which included a tour of Twist’s studio.
Robert Storr has been a professor of painting and dean of the School of Art at Yale University since 2006.
In Terms of Performance features essays and interviews from more than 50 prominent artists, curators, presenters, and scholars who reflect on common yet contested terms in contemporary cultural practice.
Andrea Clearfield—a working musician, composer, curator, and member of the group—discusses how making and listening to music is changing.