“Part of my ambition is to turn this instrument I love into less of a precious, unwieldy thing—less of an enigma.”
Classically trained on the harp since age 11, Mary Lattimore (b. 1980) incorporates experimental techniques and technologies into her music, thereby extending the conventions of her instrument. Her compositions bring the harp into new aesthetic and methodological territories, which allow the listener to consider the instrument in a new light—for example, combining the chiming arpeggios one would expect from a harp with textures more common to a synthesizer. “I am melding [my history] with the harp to form a single, personal voice that is a product of my diverse experiences,” she says. “The classical training, the composition, and the experimental improvisation are all the infrastructure of the larger picture.” Lattimore’s innovative collaborative work includes recordings and performances with multi-instrumentalist Jeff Zeigler, indie rock luminaries Thurston Moore and Kurt Vile, and singer-songwriter Sharon Van Etten. She received her Bachelor of Music in Harp Performance from the Eastman School of Music in 2002 and she has since recorded a solo album, The Withdrawing Room. In September 2014, she will release Slant of Light, a collaborative record with synthesizer player Jeff Zeigler.
The Wilma Theater created the Wilma Vision Fund, a cash reserve raised and maintained by the board of directors in order to sustain high standards of performance.
Founded in 1900, the Philadelphia Orchestra has distinguished itself as one of the world’s leading orchestras.
Argeo Ascani, Curator for Music at EMPAC, Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, talks about approaching artistic risk as a curator.
Arcadia University Art Gallery presented the first United States museum survey of the internationally acclaimed artist’s ceramics outside of New York City.
Janet Wong became rehearsal director of the Bill T. Jones/Arnie Zane Dance Company in 1996 and associate artistic director in 2006.
Theatre Exile produces risky and challenging plays that contain a sense of grit and passion.
Five Pew Fellows have been awarded artist residencies in 2015, supported by the Center’s ongoing partnership with the Alliance of Artists Communities.
Rochelle Steiner is a curator, writer, public art producer, and professor of critical studies at the University of Southern California in the Roski School of Art and Design, where she was dean from 2010 to 2012. In 2015, Steiner served as a panelist in Exhibitions & Public Interpretation.
Janet Pilla has danced on many stages in her native Philadelphia over the past 25 years.
Experimental music presenter Ars Nova Workshop produced five recordings on the record label High Two.
Filmmaker and Pew Fellow Heidi Saman recalls the first film that influenced her practice, what inspires her to tell stories of the immigrant experience, and more.
Christoph Cox is Professor of Philosophy at Hampshire College. He is the author of Nietzsche: Naturalism and Interpretation (California, 1999), and co-editor of Realism Materialism Art (Sternberg, 2015) and Audio Culture: Readings in Modern Music (Continuum, 2004).