“My most satisfying projects aim for broader contexts and associations, and ignore distinctions between video art, film, theater, installation, and cinema.”
Matthew Suib (b. 1973) has been working with video, film, sound, and installation for the past decade, exhibiting internationally in galleries, co-ops, living rooms, websites, museums, film and new media festivals, and public spaces. His work comes from a deep engagement with moving-image culture and explores how moving images shape our understanding of culture, history, and politics. Suib earned his B.F.A. from The University of the Arts in 1995. His collaborative work with video artist and 2006 Pew Fellow Nadia Hironaka has become an increasingly potent aspect of his practice; their video installation Whiteout was presented in 2010 at Philadelphia’s Locks Gallery; another installation, Provisional Monument for a New Revolution, was on view at the Institute of Contemporary Art, University of Pennsylvania in spring 2012. “One of the key concerns of my most recent work is a desire to free the moving image from its most common containers—the comfortable rectangles of the projection screen, television, or computer monitor,” Suib says. “I continue to work with immersive forms—moving-image and sound-based installations that dissolve the cinematic screen or engage architectural and physical space. I’m excited by the possibilities of pushing formal and technological limits to shift relationships between viewer and image.” Suib and Hironaka have been awarded Center-supported residencies to develop their work at Banff (summer 2012) and the Headlands Center for the Arts (fall 2013).
The Philadelphia Art Alliance commissioned the Miss Rockaway Armada, an internationally recognized group of artists and performers from all over the country, to install a building-wide exhibition.
Argeo Ascani is Curator for Music at EMPAC, the Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute in Troy, New York. In 2015, he served as a Pew Fellowships panelist.
The Pew Center for Arts & Heritage (the Center) announced today its 2015 grants in support of the Philadelphia region’s cultural organizations and artists. Marking the Center’s 10th year of grantmaking, a total of more than $9.6 million will provide funding for 12 new Pew Fellowships, 34 Project grants, and three Advancement grants.
Barkley L. Hendricks (b. 1945 in Philadelphia) is a figurative painter and photographer best known for his life-sized portraits of people of color from the urban northeast.
Judy Hussie-Taylor has served as Executive Director of Danspace Project, a New York City venue for independent experimental choreographers, since 2008. Hussie-Taylor served as a Pew Fellowships panelist in 2012 and 2013, a Performance LOI panelist in 2014, and as the Performance panel chair in 2015.
Molly Smith has been a leader in new play development for more than 30 years. She currently serves as the artistic director of Arena Stage in Washington, D.C.
Bonner Kunstverein director Michelle Cotton presents a talk on Xerography, an international survey she curated to honor the 75th anniversary of the invention of the photocopier.
The Barnes Foundation presents a day-long symposium on the history of flânerie and the contemporary race and gender politics enmeshed in the act of walking.
The Rosenbach of the Free Library of Philadelphia opened to the public in 1954 and is located in the former home of brothers Philip and Dr. A.S.W. Rosenbach, international dealers in rare books, manuscripts, and fine and decorative arts.
Temple Contemporary commissioned 2006 Pew Fellow and MacArthur Fellow Pepón Osorio to create a new installation that responds to recent closings of Philadelphia public schools.
Kate Watson-Wallace is a Philadelphia-based choreographer, 2007 Pew Fellow, and the co-director of anonymous bodies.
Named for Doylestown’s most famous son, the Pulitzer Prize-winning writer James A. Michener, this museum was founded in 1988 with a regional focus, housing a collection of Pennsylvania impressionist paintings.