“I am looking for ways to conjure a sense of home for the viewer and the often forgotten private moments that make up normal life.”
Melanie Bilenker (b. 1978) translates the historic art of Victorian hair jewelry into work that reflects upon the contemporary era. Her delicate pendants and brooches are wearable art objects, depicting ordinary moments of everyday life—making lunch, bathing, washing dishes—with “drawings” made from resin, gold, silver, and the artist’s own hair. “I am looking for ways to conjure a sense of home for the viewer,” Bilenker states, referring to both her subject matter and the medium of human hair. “I see hair as proof of existence, a souvenir.” Often cited as a leader in the movement to return to craftsmanship in jewelry making, Bilenker has received commissions from the Museum of Arts & Design in New York City, the Philadelphia Museum of Art, and the National Museum of Scotland, among others. She was recently included in the 40 Under 40: Craft Futures exhibition, featuring traditional and non-traditional works of decorative art created by the top 40 American craft artists under the age of 40, assembled for the 40th anniversary of the Smithsonian American Art Museum’s Renwick Gallery.
“40 Under 40: Melanie Bilenker” by the Smithsonian American Art Museum.
Robert Storr has been a professor of painting and dean of the School of Art at Yale University since 2006.
Voloshky Ukrainian Dance Ensemble presented a home season program featuring Ukrainian costumes and live music by violinist Vasyl Popadiuk.
An investigation of the idea of “institutionality” in the context of contemporary art will inform future curatorial and programmatic initiatives, in an effort to increase audience engagement with the ICA and its programs.
Julie Carr is the author of several books of poetry, co-publisher of Counterpath Press, and a 2011 recipient of a National Endowment for the Arts fellowship.
As a part of The Great Migration: A City Transformed (1916-30), a series of community film screenings will be held, highlighting films created through the project.
Sally Berger is a film and media curator, lecturer, and writer, and serves as assistant curator of the department of film at The Museum of Modern Art.
Choreographer and performer Jennifer Monson is the founder of New York City-based iLAND: Interdisciplinary Laboratory for Art, Nature, and Dance.
Headlong Dance Theater worked with a team of advisors to assess its options following the recent departure of one of its three founding directors.
This month in Fellows Friday News: Alex Da Corte receives major media attention for his Easternsports collaboration at the ICA, Matt Saunders and Bhob Rainey are praised for set and sound design for The Adults, and much more.
Kim Arrow is a dance artist and a 2003 Pew Fellow.
The Village of Arts and Humanities supports the voices and aspirations of the community and inspires people to be agents of positive change through programs that encompass arts and culture, engage youth, revitalize community, preserve heritage, and respect the environment.
Finding a “form to contain [the mess]” is one way that 2013 Pew Fellow Jenn McCreary describes her motivation for writing poetry. An avid note-taker, she tasks herself to find forms for disparate ideas.