“When I’m performing, it’s the most true to who I am.”
Nicole Cousineau (b. 1970) makes multimedia dance theater based in strong, rigorous movement investigation. With her husband Jorge Cousineau, a composer and designer, she founded Subcircle, and together they have created several evening-length works with original scores, many within built environments or installations. By engulfing the audience in a completely created world, they encourage a deeper level of audience participation and presence by changing perspective. Cousineau also focuses on collaboration, gravitating toward artists and resources of different disciplines and cultures to inform her work.
Cousineau has been awarded a Leeway Window of Opportunity Award, two fellowships from the Pennsylvania Council on the Arts, and an Independence Foundation Fellowship. She has completed residencies at Schloss Broellin International Center for Performance Research, Germany, and Fabrik, Potsdam, Germany. She has performed locally in the FringeArts Festival and DanceBoom!; nationally at the Provincetown Dance Festival, MA; and internationally in Berlin and Dresden, Germany.
Michael Djupstrom premieres a new piano quintet at the 2016 National Cherry Blossom Festival, Beth Kephart and Caroline Lathan-Stiefel display works at the Philadelphia International Airport, and The New York Times reviews Chris Forsyth’s new album.
In perceiving the “just this”-ness, Group Motion Dance Company shares a preview of a new work by choreographer Susan Rethorst.
In honor of the 20th anniversary of National Poetry Month this April, we highlight the recent achievements of many of our Pew Fellow poets.
Eleone Dance Theatre is a Philadelphia-based troupe dedicated to dance that celebrates intergenerational and multicultural themes.
Pew Fellow Raphael Xavier takes his Center-supported autobiographical dance, The Unofficial Guide to Audience Watching Performance, to Chicago.
Todd Noe is a sculptor and a 1996 Pew Fellow.
John Killacky is executive director of Flynn Center for the Performing Arts in Burlington, Vermont, and on the board of the Vermont Community Foundation.
Choreographer and Pew Fellow Merián Soto on legacy, her interest in the body and its relationship to consciousness, and more.
Sally Berger is a film and media curator, lecturer, and writer, and serves as assistant curator of the department of film at The Museum of Modern Art.
Directing My Dancers/Directing Myself allowed Nichole Canuso to reevaluate her choreographic practice, mentoring under U.K.-based dancer Wendy Houstoun.
Performer and theater artist Charlotte Ford researched and developed a new theatrical project that asked, “Can a woman be funny and sexy onstage at the same time?”
Justin Witte is a visual artist and a 2004 Pew Fellow.