Pam Green is a member of the Durham Cultural Advisory Board and the board of directors of the American Dance Festival. She was managing director of the Chuck Davis African-American Dance Ensemble from 1985–89 and director of touring and presenting for the North Carolina Arts Council from 1989–92. She started her own company, PMG Arts Management in 1992 to provide booking, management, and consulting services to performing artists, companies, and organizations throughout the country. She served as a Center dance panelist in 2011.
Kun-Yang Lin/Dancers’ company training project furthered the development of the meditative and martial arts practices at the core of their creative process.
Ain Gordon, the Center’s 2011–13 Visiting Artist, spoke with choreographer and director Merián Soto about her Center-supported piece, SoMoS.
Gaye Taylor Upchurch is a freelance director living in New York. She is an alumna of Women’s Project Directors Lab and the Drama League.
Dove encourages artists to dance in unusual places. Why? Out of necessity, he says.
The Kimmel Center, Inc., best known as a presenting organization and home of the Philadelphia Orchestra, Opera Philadelphia, and the Pennsylvania Ballet, is one of the most well-attended cultural venues in Philadelphia.
Located in Independence National Historical Park, the Independence Visitor Center is the official visitor center of Philadelphia and the region and is the primary point of orientation for Independence National Historical Park, the City of Philadelphia, and the Southern New Jersey and Delaware River Waterfronts, as well as Bucks, Chester, Delaware and Montgomery Counties in Pennsylvania.
Artistic Director Nichole Canuso likes to explore “dances that celebrate the awkwardness, humor and surprise in human experience.”
Established in 1963, Pennsylvania Ballet has extended its important Balanchine-based repertoire by presenting new works by a variety of contemporary choreographers.
Robert Pinsky is a poet, essayist, literary critic, and translator. From 1997 to 2000, he served as poet laureate consultant in poetry to the Library of Congress.
Four flamenco scholars weigh in on the connections between flamenco and popular culture in varying historical contexts.
Midway Avenue is a solo performance that uses personal reminiscences and universal yearnings to explore the relationship between memory and self.
Annenberg Center Live brought Ireland’s Druid Theatre to Philadelphia for a weeklong engagement of Obie Award and Academy Award winner Martin McDonagh’s production.