Paul Ha is a museum director widely recognized for his support of influential artists early in their careers, and with raising the visibility of the organizations he heads. He is currently the director of the Massachusetts Institute of Technology’s (MIT) List Visual Arts Center. Prior to joining MIT, Ha was the director of the Contemporary Art Museum St. Louis (CAM) from 2002–11. As the inaugural director, he quickly positioned CAM to be a leader in the field of contemporary art, garnering national and international recognition for its exhibitions. During this period, CAM gave a number of artists the first major museum exhibition of their careers, including Laylah Ali, Lutz Bacher, Yun-Fei Ji, David Noonan, Alexander Ross, Gedi Sibony, and Carey Young. Other artists exhibited include Chantal Akerman, Polly Apfelbaum, Richard Artschwager, Slater Bradley, Jim Hodges, Maya Lin, Olivier Mosset, Yoshitomo Nara, William Pope.L, and Cindy Sherman. Prior to joining CAM, Ha was the deputy director of programs and external Affairs at the Yale University Art Gallery, and executive director of White Columns in New York. Ha has curated and organized more than 100 solo and group exhibitions and exhibited artists such as Sarah Sze, Christoph Büchel, Jessica Craig-Martin, Rachel Feinstein, and Anna Gaskell, often presenting their first solo exhibitions. Ha was the commissioner of the US Pavilion at the La Biennale di Venezia 56th International Art Exhibition, presenting artist Joan Jonas at the 2015 Venice Biennale. He served as the Center’s exhibitions panel chair in 2012, as well as a LOI panelist that same year, and was part of the Center’s management panel in 2010. In 2016, Ha served as a panelist for Exhibitions & Public Interpretation.
Molly Sheridan is a writer, editor, and producer specializing in classical and experimental music, with a focus on multimedia content designed for the web.
Zoe Strauss: Ten Years, on view at the International Center of Photography in New York, has received recent media attention from a number of publications.
Wyck—a house, garden, and farm in the Germantown neighborhood of Philadelphia—served as the ancestral home to a Quaker Philadelphia family for over nine generations.
In addition to his work as a solo performer, Jaamil Kosoko is co-director of anonymous bodies and the founder and executive producing director of the Philadiction Movement in Philadelphia.
The Village holds an opening reception for its SPACES International Artist in Residence exhibition.
As the United States’ finest museum of medical history, the Mütter Museum displays its beautifully preserved collections in a 19th-century “cabinet museum” setting.
Albert C. Barnes founded The Barnes Foundation in 1922 in Merion, Pennsylvania, to house his growing collection of modern art, African sculpture, and metalwork.
Philadelphia Mural Arts Advocates established a new curatorial residency program that looks to the future of mural-making.
Cohabitation Strategies on the concept of authorship when developing collaborative projects with communities that are not their own.
Caroline Lathan-Stiefel creates large-scale, immersive sculptural installations from textile and found objects to form what she calls “drawings in space.”
The staff and board members of Wyck worked with a marketing firm to develop a new marketing plan and brand identity, in order to attract potential audiences.
The University of Pennsylvania Libraries, in collaboration with the Wharton Esherick Museum and the Architectural Archives at the University of Pennsylvania, presented the first major examination of Esherick’s work and artistic development in over 50 years.