“The idea that there’s questioning you have about yourself or that you have about the way human beings in general work, and you want to figure that out…that’s what keeps me motivated.”
Robert Matthews’ (b. 1974) drawings are representational with varying degrees of narrative, but as he explains, they are not illustrations, but rather investigations of unsolvable questions. His recent solo exhibitions include Kindred, Daniel Cooney Fine Arts, New York; Knoxville Girl, Gallery Joe, Philadelphia; and the Sarah Moody Gallery, University of Alabama, Tuscaloosa, AL. He has participated in numerous group shows, including More Stories, Todd Hosfelt Gallery, San Francisco, CA; The Drawing Narrative, Jenny Jaskey Gallery, Philadelphia; This Place Is Ours, Pennsylvania Academy of the Fine Arts, Philadelphia; and Drawn, Art Murmur, Los Angeles, CA. Matthews received his B.F.A. from the University of Tennessee, Knoxville, and his M.F.A. from Virginia Commonwealth University.
Ronnie McGhee has over 30 years of professional practice in architecture, including 15 years as partner-in-charge and owner of R. McGhee & Associates, a Washington D.C. architectural firm.
Recognized as a pioneering jazz bassist and composer who has played with numerous musical luminaries over his 60-year career, Merritt composes work that brings forth collective improvisation within a complex rhythmic and harmonic language.
Hou Hanru is a Chinese-born art critic and curator, as well as the artistic director of the MAXXI National Museum of the 21st Century Arts in Rome.
Dan Byers is Senior Curator at the Institute of Contemporary Art, Boston. Byers contributed to the Center’s 2013 publication Pigeons on the Grass, Alas: Contemporary Curators Talk About the Field. He was a 2014 panelist and a 2015 LOI panelist, both in Exhibitions & Public Interpretation.
We asked Center colleagues, interlocutors, grantees, and staff: “What inspired you this year?”
A conversation with Pew Fellow Jumatatu Poe, Donte Beacham, and LaKendrick Davis on the underground dance style of J-Sette and how Poe drew on its legacy for Private Places, a new Center-funded work.
Founded in 1812, the Academy of Natural Sciences of Drexel University is the oldest natural history museum in North America.
Poet and Pew Fellow Catie Rosemurgy’s wry and sharply imagined poems investigate the layered natures of identity, history, and narrative.
In 1995 the Center awarded Pew Fellowships to 16 Philadelphia-based artists, and grants to 23 dance and music organizations in the greater Philadelphia region.
As part of the Center-funded Consumption: A Project on Pearl Street conceived by Rick Lowe, an ongoing revitalization of Pearl Street, Asian Arts Initiative presents two installations, “Finding Comfort” and “Who’s Who.”
Arcadia University Art Gallery presents an exhibition of early artwork by the late Pati Hill, an American writer who pioneered the use of the photocopier as an artistic tool in the 1970s.
The members of the Liberian Women’s Chorus for Change will adapt existing folk songs and write new ones in traditional styles, in the hopes of subverting historical narratives in which women are blamed, stigmatized, or victimized.