royal hartigan is a percussionist, pianist, and tap dancer. He has studied and performed the music of Asia, Africa, Europe, West Asia, and the Americas, and is versed in the traditions of African American blues, gospel, funk, hip-hop, and jazz. He has performed, given workshops, and recorded internationally with his own Blood Drum Spirit ensemble and many master artists including the Fred Ho Afro-Asian Music Ensemble, Hafez Modirzadeh’s Paradox, and the David Bindman-Tyrone Henderson Project, among others. His publications include Blood Drum Spirit: Drum Languages of West Africa, African America, Native America, Central Java, and South India; West African Rhythms for Drumset; and articles in numerous music journals. hartigan is a professor at UMass Dartmouth and a visiting professor at the Centre for Culture and African Studies, Kwame Nkrumah University of Science and Technology in Kumasi, Ghana. He holds doctorates in world music and ethnomusicology from Wesleyan University. He served as a Center Performance panelist in 2014 and a Performance LOI panelist in 2015.
Five Pew Fellows have been awarded artist residencies in 2014, part of the ongoing partnership between The Pew Center for Arts & Heritage, the Alliance of Artists Communities, and four North American artist residency programs.
Having created this work over the course of a decade, Malavika Sarukkai pays homage to the sacred river Ganga and its importance in Indian culture, history, the environment, and spirituality.
Sruti, the India Music and Dance Society, presented this three-part series in collaboration with the Painted Bride Art Center.
In this month’s Pew Fellows news highlights, novelist Beth Kephart describes seeing the landscape of her unwritten novel through the eyes of videographer Lori Waselchuk. Composer Bhob Rainey makes music out of squid neurons and mathematical formulas, and poet Major Jackson discusses the simple act of paying attention.
Associate professor and coordinator of world music and ethnomusicology at San Diego State University, Kevin Delgado leads performance ensembles and labs on Afro-Cuban and Afro-Brazilian music.
Philadelphia Baroque orchestra Tempesta di Mare received support for performances and modern-day premieres of mostly unpublished works by Johann Friedrich Fasch.
Relâche is a new music ensemble whose unique sound includes flute, oboe, clarinet, saxophone, bassoon, piano, percussion, viola, and bass.
Wyck will evaluate its current programming in advance of writing a new business plan that results in audience-centered programs with the potential to attract new visitors.
James Voorhies is the John R. and Barbara Robinson Family Director of the Carpenter Center for the Visual Arts at Harvard University where he oversees a contemporary arts program dedicated to the synthesis of art, design, and education.
Lauren Mabry (Pew Fellow, 2015) is a ceramist whose expressive and colorful “dimensional paintings,” as she describes them, play with form, texture, color, and scale and blur the boundaries between ceramics, abstract painting, and sculpture.
Anthony Fogg’s career combines performance with arts administration, and, in both aspects of his work, he is a strong champion of contemporary composers.
This week, we speak to musician and composer Chris Forsyth, whose career remains devoted to his roots in rock music, while questioning and expanding upon them.