Sarah Wilke

Sarah Wilke became managing director of Seattle’s On the Boards at the start of its 2004–05 season. She is responsible for the day-to-day and long-term strategic management of On the Boards. Prior to this position, Wilke worked as managing director of Consolidated Works in Seattle, as associate curator of education at the Tacoma Art Museum, and at the Freer & Sackler Galleries in Washington, D.C. in various education, programming, and curatorial positions. Wilke was a Fulbright Fellow in Sri Lanka. She has served as a panelist for the National Endowment for the Arts, Artist Trust, and the National Performance Network. She served as a Center management panelist in 2013 and 2012, and as a LOI panelist in 2013.

References

In the third and final segment of our three-part conversation with Center Visiting Artist Ain Gordon, he gives us a glimpse of how he has entered into conversations at the Center and proposed alternative possibilities for our approach to our work.

Tempesta di Mare performs baroque music on baroque instruments with “a zest and virtuosity that transcends style and instrumentations.”

AUX Curatorial Fellow Jamillah James will moderate a conversation between Philadelphia-based artists Salem Collo-Julin and Maria Dumlao.

Collaborators & Colleagues

Samuel Hoi has served as President of Los Angeles’ Otis College of Art and Design since 2000.

Collaborators & Colleagues

Lee Rainie is the director of the Pew Research Center’s Internet Project, a nonprofit, non-partisan “fact tank” that studies the social impact of the Internet.

Grants & Grantees

Gerald Cyrus, Jr. is a visual artist and a 2005 Pew Fellow.

Philadelphia Mural Arts Program created a director of strategic planning and partnerships position, charged with leading strategic initiatives and forging new organizational partnerships.

Grants & Grantees

Jennifer Levonian (Pew Fellow, 2009) creates cut-paper animations that explore the ambivalence of everyday life.

Collaborators & Colleagues

Annie Polland has been vice president of education & programs at the Lower East Side Tenement Museum in New York City since 2009.

In August 2011, the Philadelphia Inquirer hailed Opera Philadelphia’s transformation as a “haven for new opera.”

The Philadelphia Inquirer featured the Conservation Center for Art and Historic Artifacts’ fundraising campaign for its Pennsylvania’s Top 10 Endangered Artifacts project.

For the sixth program of the “Schmart World” series, AUX Curatorial Fellow Whitney Kimball presents ESP TV: Live Broadcast of Experimental Performance from AUX.