“I have been formed by an experience of the political world as both intensely intimate and profoundly public. These experiences mark my work more deeply than any other I’ve had in my life.”
Sharon Hayes (b. 1970) employs various mediums—including video, performance, installation, and photography—to probe the complex intersections of history, politics, and speech within private and public spaces. Hayes’ work is concerned with interrogating the present political moment, often through works staged “in the street,” a practice that she says arose from her “interest in public speech and the conditions of public address.” Her current large-scale project, Ricerche, began in 2013 and uses a series of single-channel video, photo, projection, and performance installations for an inquiry into sexuality in contemporary America. Her work has been shown at the Guggenheim Museum, Museum of Modern Art, Whitney Museum of American Art, Tate Modern, the 55th International Venice Biennale, and Museo Nacional Centro de Arte Reina Sofía, among others. The recipient of a 2014 Guggenheim Fellowship, a 2013 Alpert Award in the Arts, and a 2007 Louis Comfort Tiffany Foundation Fellowship, Hayes received an MFA from the University of California and currently serves as associate professor of fine arts in the School of Design at the University of Pennsylvania.
In 1995 the Center awarded Pew Fellowships to 16 Philadelphia-based artists, and grants to 23 dance and music organizations in the greater Philadelphia region.
The Institute of Contemporary Art plans to organize the first major retrospective to situate four decades of Barbara Kasten’s photography in relationship to other areas of artistic practice.
Dr. Linda Caruso Haviland, associate professor at Bryn Mawr College, is the founder and director of its dance program as well as the chair of the arts program.
One of Philadelphia’s smartest and scrappiest small, no-profit art spaces, Marginal Utility is known for forging long-term commitments with artists.
Jeffrey Herrmann is the managing director of Seattle Repertory Theatre.
The Pew Center for Arts & Heritage (the Center) today announced 53 grants in support of the Philadelphia region’s cultural organizations and artists. The 2016 awards total more than $10 million and provide funding for 12 new Pew Fellowships, 36 Project grants, and 5 Advancement grants.
Naomi Beckwith is a curator at the Museum of Contemporary Art, Chicago, known for recognizing artists whose practices are social, participatory, and communal.
Jason Rhoades, Four Roads, on view at the Institute of Contemporary Art through December 29, 2013, has received recent media attention from a number of publications.
This month’s digest includes a BOMB Magazine interview with Chris Forsyth, international attention for Ryan Trecartin’s collaborative video installation at London’s Zabludowicz Collection, and a list of “must-see painting shows” from New American Paintings stocked with Pew Fellows.
Artist Peter Saul reflects on his artistic career, his formative years living in Europe, and his (dis)connection from the Pop art movement.
The City of Philadelphia’s Office of Arts, Culture and the Creative Economy manages the largest and oldest public art program in the country, while The Mayor’s Fund for Philadelphia seeks to improve quality of life for all Philadelphians by facilitating collaborations between the city’s public, private, and non-profit sectors.
Max Apple (Pew Fellow, 2010) has been described as a “writer’s writer,” a dedicated author of short fiction who writes with precision and control.