Sueyeun Juliette Lee

2013 Pew Fellow

1/6: Sueyeun Juliette Lee, 2013 Pew Fellow. Photo by Colin Lenton.
2/6: Sueyeun Juliette Lee’s “The Quiet Sun,” published in OmniVerse.
3/6: Excerpt from “On Light” by Sueyeun Juliette Lee, published in 1913: A Journal of Forms, issue 5, 2011.
4/6: Excerpt from “On Light” by Sueyeun Juliette Lee, published in 1913: A Journal of Forms, issue 5, 2011.
5/6: Excerpt from “On Light” by Sueyeun Juliette Lee, published in 1913: A Journal of Forms, issue 5, 2011.
6/6: Excerpt from “On Light” by Sueyeun Juliette Lee, published in 1913: A Journal of Forms, issue 5, 2011.

“I write as personally as I can, just perhaps not in the way most people would expect.”

Sueyeun Juliette Lee’s (b. 1977) poetry questions concepts of birthright, lineage, and homeland, investigating relationships between people and the places they inhabit. A Korean-American poet, her work illustrates complexities of contemporary identity and addresses the limitations of terms we often use to define ourselves. “I am not interested in asserting a particular identity,” she says. Lee is the author of Underground National (Factory School Press, 2010), That Gorgeous Feeling (Coconut Books, 2008), and Solar Maximum, forthcoming from Futurepoem Press in 2015. She holds several degrees, including an MFA in poetry from the University of Massachusetts at Amherst, and she has read nationally at venues including the Territories Symposium at Naropa University in Boulder, CO; Asian Arts Initiative in Philadelphia; and in New York City at St. Mark’s Poetry Project and Poets House. In addition to her writing, Lee publishes innovative work by multiethnic authors through Corollary Press, and teaches creative writing at the University of the Arts and Richard Stockton College. She also edits for The Margins, the web magazine of the Asian American Writers’ Workshop, and EOAGH: A Journal of the Arts.

References

Collaborators & Colleagues

Jill Medvedow has been the director of the Institute of Contemporary Art, Boston since 1998.

Pew Fellow Geoff Sobelle’s award-winning production of The Object Lesson travels to Ohio’s Wexner Center for the Arts.

Collaborators & Colleagues

Ian Berry is Dayton Director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College.

Pew Fellow Teresa Jaynes hosts a discussion about her artistic and curatorial process, in conjunction with the exhibition Common Touch.

Grants & Grantees

Jumatatu Poe developed The Flight Attendants, a satirical commentary on the service industry, during summer workshops with members of his company, idiosynCrazy productions.

Grants & Grantees

In 2007, the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 83 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.

Grants & Grantees

Located in Chinatown North in Center City Philadelphia, Asian Arts Initiative fosters social change through art.

Grants & Grantees

Mark Goodwin is a visual artist and a 1995 Pew Fellow.

Grants & Grantees

Susan Lankin-Watts (Pew Fellow, 2015) is a singer, trumpet player, composer, and arranger whose complex arrangements draw from tradition, the poetry of her great-grandfather, and a desire to give new voice to the art form and create klezmer culture for a younger generation.

Visual artist and Pew Fellow Benjamin Volta on his belief that art can be a catalyst for social change, the importance of fostering sustaining creative experiences, and more.

Collaborators & Colleagues

Eric Tschanz is the president and CEO of Powell Gardens in Kingsville, Missouri.

Questions of Practice

Feasley is a self-described “landscape painter” whose work tends to be small-scale and intimate—supernatural scenes painted in rich, saturated colors that result in a hybrid of abstract and figurative art.