Director of Three Aksha School of Performing Arts, Viji Rao is a dancer trained in Bharatanatyam, a classical South Indian dance form marked by expressive hand gestures and elaborate rhythmic patterns. In 2012, with Center support, Rao developed a series of solo works that expanded upon her artistic roots in South Indian dance in collaboration with Hari Krishnan, artistic director of INDANCE, Toronto, who specializes in experimental exploration of Bharatanatyam traditions; C.V. Chandrasekhar, one of India’s most highly regarded Bharatanatyam practitioners who creates choreography within the canon of traditional vocabulary; and Delhi’s Santosh Nair, who will creates contemporary works based in the generations-old martial art form of Chhau.
Supporting, documenting and presenting Philadelphia area folk arts, the Philadelphia Folklore Project is committed to sustaining community cultural knowledge.
Leah Stein’s Center-funded project Battle Hymns, set to an original score by Pulitzer Prize-winning composer David Lang, was remounted in San Francisco in the spring of 2013.
We asked Oliver, a choreographer and dance professor, “Should we dance in museums?”
Known for innovation, creativity, and preservation of African-American traditions in dance, Philadanco has been dancing in the Philadelphia community since 1970.
The Slought Foundation developed a research and mentoring initiative that partners West Philadelphia youth with architecture and design students from the University of Pennsylvania.
Bowerbird is a presenting organization that showcases over 70 events annually, with a focus on raising awareness of “provocative and divergent musical traditions.”
A young choreographer who has already produced provocative, experimental dance works, Poe (Pew Fellow, 2011) is the founder of dance/theater company idiosynCrazy productions.
Jenelle Porter is senior curator at the Institute of Contemporary Art, Boston. Prior to that, she curated at Artists Space in New York and the Institute of Contemporary Art, Philadelphia.
Boomershine has presented his work at Movement Research and Danspace Project, and he arranges and develops workshops and creative/educational residencies for and with Lucinda Childs.
A number of ongoing and recently completed Center-funded projects have filled theater houses and garnered extensive media coverage.
Fatu Gayflor (Pew Fellow, 2014) learned music, dance, and traditional arts at an early age in rural Liberia. She states that her goal is “to use singing and songwriting to build cooperation and community among Liberians.”
Jumatatu Poe developed The Flight Attendants, a satirical commentary on the service industry, during summer workshops with members of his company, idiosynCrazy productions.