William Daley

2010 Pew Fellow

1/9: William Daley, 2010 Pew Fellow. Photo by Colin Lenton.
2/9: William Daley, Joshua’s Cistern, 2010. Photo courtesy of the artist.
3/9: William Daley, Vesica Explorations, 2010, installation view. Photo courtesy of the artist.
4/9: William Daley, Crossed-Under Vesica, 2009. Photo courtesy of the artist.
5/9: William Daley, Crossed-Under Vesica (detail), 2009. Photo courtesy of the artist.
6/9: William Daley, drawing of Oracular Vesica, 2005. Photo courtesy of the artist.
7/9: William Daley, Oracular Vesica, 2005. Photo courtesy of the artist.
8/9: William Daley, Nuptual Vesica, 2005. Photo courtesy of the artist.
9/9: “Mud Architect” by Thomas Porett: a record of artist William Daley creating a new ceramic pot while discussing his ideas about art making and the continuing struggle to keep invention fresh.

“My want is to keep doing what I have been doing since my initial clay seduction: being a joyous maker of possibilities, a maker for joy’s sake.”

Self-proclaimed “mud man” William Daley has been a leading figure in the field of ceramics for close to 60 years. Now in his eighties, he is creating some of the strongest work of his career. Through his large-scale vessels, which he refers to as “Vesicas,” Daley explores geometry, symbols and cultural icons, as well as the relationship of interior and exterior. Daley’s exhibition history dates back to the 1950s and his works have been included in numerous collections at venues such as the Metropolitan Museum of Art, the Philadelphia Museum of Art, and the National Museum of Art of the Smithsonian Institution. A former prisoner of war in World War II, Daley received his art education through the G.I. Bill and has spent decades teaching others, both inside the classroom and at lectures, workshops, and symposia around the world. Daley says his desire is to continue honing his craft and exploring further, “being a joyous maker of possibilities, a maker for joy’s sake.”

References

Musician and Pew Fellow Chris Madak on artistic motivation, the notion of “perfection,” and more.

Grants & Grantees

Scribe Video Center is currently producing an oral history media project that explores the rich and diverse history of Muslim communities in the region.

The City of Philadelphia’s Office of Arts, Culture and the Creative Economy manages the largest and oldest public art program in the country, while The Mayor’s Fund for Philadelphia seeks to improve quality of life for all Philadelphians by facilitating collaborations between the city’s public, private, and non-profit sectors.

Grants & Grantees

Francis Di Fronzo is a visual artist and a 2004 Pew Fellow.

Grants & Grantees

In 2005 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 66 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.

We talk to Sherlock, a 2013 Pew Fellow and Philadelphia’s newly designated poet laureate, about his dream collaboration with Yoko Ono and what made him want to become a poet.

Four artists of Arab heritage will come together in an international collaboration to create new poetry, music, and visual art works grappling with notions of displacement.

Grants & Grantees

Relâche is a new music ensemble whose unique sound includes flute, oboe, clarinet, saxophone, bassoon, piano, percussion, viola, and bass.

Grants & Grantees

Vox Populi presented a group exhibition with guest-curator Malik Gaines that explored various tactics for representing the complex, contradictory legacies of cultural difference.

This documentary film project, produced in collaboration with WHYY and Equality Forum, will illuminate the 50-year history and progress of the LGBTQ civil rights movement by highlighting the powerful experiences of Gay Rights movement pioneers and documenting a planned reenactment of the 1965–69 peaceful demonstrations at Independence Hall.

Grants & Grantees

Sonia Sanchez is a poet and a 1993 Pew Fellow.

The Barnes Foundation will screen a series of films depicting modern life in the late 19th and early 20th centuries.