Questions of Practice: Conductor Donald Nally and Violinist Hanna Khoury on Blending Musical Traditions
Contributor Donald Nally Hanna Khoury 29 Feb 2016
The Crossing conductor Donald Nally and violinist, Al-Bustan Seeds of Culture music director, and Pew Fellow Hanna Khoury discuss their experiences of blending musical languages and traditions in a performance that brought together a classical Arab chamber ensemble and a Western choir. Unlike Western music, Arabic music “relies very much on the oral tradition,” Khoury explains. “If you have musical sheets [in Arabic music], they are mostly confined to the idea of a skeletal structure that needs all of these embellishments.”
With Center support, Al-Bustan premiered two new compositions by Arab-American composers Kareem Roustom and Pew Fellow Kinan Abou-afach, inspired by Andalusian poetry, during a concert in December 2015 with soloist Dalal Abu Amneh and The Crossing, as part of Words Adorned: Andalusian Poetry and Music.
Hanna Khoury is a violinist trained in the classical traditions of Arab and Western music. A 2013 Pew Fellow, Khoury is music director of Al-Bustan Seeds of Culture, and directs the Arab Music ensemble at the University of Pennsylvania. He is currently a PhD candidate in Ethnomusicology at the University of Pennsylvania exploring popular culture and nationalism. As a performer, Khoury continues to collaborate with a number of prominent artists including Mandy Patinkin, in addition to solo engagements and residencies throughout the country.
Donald Nally is conductor of The Crossing, a professional chamber choir focused on new music. He is director of choral organizations at Northwestern University and chorus master of The Chicago Bach Project. Nally has held tenures as chorus master for Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, Spoleto USA, and for many seasons at the Spoleto Festival in Italy.