“As Seen Through the Windshield (And Other Perspectives on Making Dance)” is from the Document(s) series, a library of commentary on people and issues in the dance field. This repository of essays includes interviews by writers and thinkers on dance, as well as “dance discursions,” which offer opportunities for reflection on the field of dance commissioned by The Pew Center for Arts & Heritage.
In March 2005, The Pew Center for Arts & Heritage invited choreographer and dance artist Wendy Rogers to lead a presentation and town hall discussion for dance makers and cultural practitioners. For related content, see “Capturing the tone, celebrating the work: A conversation with Wendy Rogers and Sara Rudner.”
From Rogers’ presentation:
“…One particular project I want to remember and start this conversation with is Sara’s five-hour dance. In the spring of 1975 Sara [Rudner], Risa Jaroslow, Wendy Perron, and I trained all season long, day after day, building up our stamina, building material, so that we could dance for five hours straight. Her agenda was not to choreograph; she just wanted people to come in directly on the dancing, for us to share with the viewers something that we as dancers were experiencing and loving. She didn’t want to mediate—she didn’t want to make a beginning and an ending. She wanted what we were doing to be ‘dancing on view’ (which is what she named the piece).”
An outgrowth of the anti-graffiti network, Mural Arts Philadelphia has produced over 3,600 murals since 1984, making it the largest public art program in the United States and earning Philadelphia the nickname “City of Murals.”
Originally trained as a muralist, 2011 Pew Fellow Tim Portlock began experimenting with digital media platforms in the late ’90s.
Elephant Room creators Dennis Diamond, Louie Magic, and Daryl Hannah were profiled in the Washington Post after the Center-supported project traveled to Washington, D.C.
Conductor Donald Nally and violinist Hanna Khoury on how tradition influences their approach to bringing together a classical Arab chamber ensemble and a Western choir in performance.
Pennsylvania Academy of Fine Arts exhibited the first career retrospective for this American figurative painter of African descent, born and educated in Philadelphia.
A two-part concert program, with a live talk show hosted by Live from Lincoln Center’s Fred Child and an accompanying studio recording, will offer a renewed perspective on the artistic legacy of baroque composer Georg Philipp Telemann.
This event features saxophonists/composers Mahanthappa and Lehman, and WNYC’s John Schaefer, as they address the unique challenges of collaborating across genres.
Gottschild conducted research for her book chronicling the life of African American ballerina Joan Myers Brown.
Ezra Shales is an art historian, curator, and artist whose research, publications, and exhibitions explore the intersections of design, craft, and art in modern and contemporary culture.
Zydeco Crossroads: A Tale of Two Cities is an 87-minute documentary that highlights the current state of the Creole music scene in and around Lafayette, Louisiana.
The Zydeco Crossroads Grand Finale Weekend features the premiere of the Zydeco Crossroads documentary, a panel discussion of the evolution, influence, and future of zydeco, and music, dancing, and food.
Pig Iron is a company specializing in exuberant ensemble-devised works. The organization has begun to train the next generation of daring physical theater artists through the Pig Iron School of Advanced Performing Training.