“Communities of Consciousness and the Begetting of Deborah Hay” is from the Document(s) series, a library of commentary on people and issues in the dance field. This repository of essays includes interviews by writers and thinkers on dance, as well as “dance discursions,” which offer opportunities for reflection on the field of dance commissioned by The Pew Center for Arts & Heritage.
“Our culture prizes the objectification of what we know—asks us to store it—not to release it. —Deborah Hay
This essay is a revision of a paper delivered at the University of Texas as part of “An Uncanny Beauty: A Celebration of Deborah Hay Performance and Symposium,” held April 7–8, 2010.
From the essay:
“Midway through reading Deborah Hay’s Lamb at the Altar: The Story of a Dance, I wasn’t just hooked on the story—I was also filled with sadness. I had been overtaken by a sense of loss that came wrapped in words that chronicle the making of that eponymous dance.”
In this month’s Pew Fellows news highlights, photographer Emmet Gowin shows his work at the Morgan Library and Museum, and jazz pianist Matt Mitchell and choreographer Susan Rethorst are awarded Doris Duke Impact Awards. Bassist Jamaaladeen Tacuma will pay tribute to the late Ornette Coleman, and visual performance artist Kate Watson-Wallace gives an interview on the evolution of her practice.
The Community Education Center has grown into an arts organization with a focus on cultivating a support system for artists, supported through residency and service programs.
Kun-Yang Lin’s dance company hosted classes with visiting artist Hsu-Hui Huang and incorporated his techniques into a performance at the Painted Bride Art Center.
This creative “place-keeping” project will put Fleisher’s spaces and resources into the hands of Southeast Philadelphia community members, in an effort to make exhibitions more responsive to area residents and to preserve and promote the diverse cultural life of immigrant-rich neighborhoods.
C. Spencer Yeh is recognized for his interdisciplinary activities and collaborations as an artist and composer, as well as his music project Burning Star Core. Yeh served as an LOI panelist in Performance in 2015.
Alice Oh is a visual artist and a 2000 Pew Fellow.
AP Gorny is a visual artist and a 1994 Pew Fellow.
At age 33, Germaine Ingram (Pew Fellow, 2010) took up dance under the tutelage of a Philadelphia tap legend, the late LaVaughn Robinson (a 1992 Pew Fellow).
Dr. Ian Bogost is a video game designer, critic, and researcher. In fall 2012, he visited the Center as part of a series on “gamification” in the arts and culture sector.
Theater artist Alex Torra creates devised, experimental performances that combine theater, dance, and music.
Philip M. Katz, Ph.D., is the director of projects at the Council of Independent Colleges. Previously, he was assistant director for research at the American Alliance of Museums.
Thomas O. Kriegsmann is the Director of Programs at New York Live Arts and the founder of ArKtype, a management and production agency supporting emerging and established domestic and internationally based artists. In 2015, he served as an LOI panelist in Performance.