Should arts organizations be expected to approach their businesses with the same degree of courage and creativity that they expect of the artists whose work they present? This was a question we put to New York-based organizational consultant Lisa Yancey during her 2013 visit to the Center.
The Institute of Contemporary Art at the University of Pennsylvania is widely known for giving artists exhibitions at critical points in their careers.
Travis Preston is dean of the California Institute of the Arts (CalArts) School of Theater and artistic director of the CalArts Center for New Performance.
Inis Nua Theatre produces provocative contemporary plays from Ireland, England, Scotland, and Wales.
Denyse Thomasos (1964–2012) was a visual artist and a 1995 Pew Fellow.
Pig Iron Theatre Company’s Center-funded School for Advanced Performance Training was featured in the Philadelphia Inquirer.
The Wagner Free Institute of Science assembled an advisory group to research partnerships with higher education institutions to respond to growing demand from students for access to its resources.
Crossroads Music organizes public performances by accomplished musicians with roots in cultures from around the world.
Whitney Kimball, Vox Populi’s third AUX Curatorial Fellow, presents artist talks from Jeanine Oleson and Jaimie Warren, the fourth program in the “Schmart World” series.
MacArthur Fellow and visual artist Ann Hamilton, whose installations incorporate textiles and fabric, will create a major off-site installation and organize a loan exhibition of historical and contemporary fabrics.
Distinguished scholar, writer and curator Helen Molesworth is chief curator of the Los Angeles Museum of Contemporary Art.
Jorge Valdivia is the Director of Performing Arts at the National Museum of Mexican Art in Chicago, IL. He served as a Center management panelist in 2011.
Samuel Hoi has served as President of Los Angeles’ Otis College of Art and Design since 2000.