Should arts organizations be expected to approach their businesses with the same degree of courage and creativity that they expect of the artists whose work they present? This was a question we put to New York-based organizational consultant Lisa Yancey during her 2013 visit to the Center.
Merián Soto continued to develop the Branch Dance Series, a deeply meditative, multimedia performative process that became the basis for her piece in the 2009 FringeArts Festival.
For the first time in 40 years, the Philadelphia Museum of Art will reinstall and reinterpret its eight galleries of South Asian art, which include nearly 3,000 works spanning over 2,500 years.
Brenda Dixon Gottschild is Professor Emerita of dance studies at Temple University and a senior consultant and writer for Dance Magazine.
Amy Sadao is the Daniel W. Dietrich, II Director at the Institute of Contemporary Art (ICA) at the University of Pennsylvania.
Before retiring in 2010, Joseph Carvalho served as the executive director of Springfield Museums in Springfield, MA.
Susan Franano offers services through Franano Arts Management Consulting following nine years as executive director of the Tucson Symphony Orchestra.
AUX Curatorial Fellow Jamillah James has organized an evening of performances by Colin Self and M. Lamar.
The Conservation Center for Art & Historic Artifacts developed a fundraising program that has allowed constituents to generate donations online for nominated artifacts in need of preservation funds.
Whitney Kimball, Vox Populi’s third AUX Curatorial Fellow, presents a film by video/performance artist Miles Pflanz and sound artist Kate Levitt, as part of her “Schmart World” series.
FringeArts presents, develops, and commissions a range of high-quality contemporary performing and visual arts in Philadelphia.
AUX Curatorial Fellow Jamillah James presents a screening of The Fantasies Given to Us May Never Be Fixed, followed by a performance from Philadelphia-based artists Kris Harzinski and Will Haughery.
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.