Flamenco purists may consider Israel Galván a rebel, though he doesn’t see it that way. The maverick choreographer and dancer, who grew up in a prominent flamenco family in Seville, has incorporated an eclectic blend of influences into his performances, blurring the lines of innovation and tradition.
We caught up with Galván in March, during the week of his Center-funded performances at Pasión y Arte’s Philadelphia Flamenco Festival. As he says in the following interview, “One has to be pure with yourself and impure with the history that already exists.”
Pennsylvania Ballet presented the American premiere of Mauro Bigonzetti’s Kazimir’s Colors, inspired by the Russian avant-garde painter Kazimir Malevich.
Theatre Exile presents a staged reading of their work-in-progress play about Philadelphia political figure Frank Rizzo.
The company is dedicated to making critically important performance opportunities available to the current generation of opera and theatrical performers, designers, and directors.
At the launch of the Center’s new multimedia online publication the Director of Performance Bill Bissell and choreographer Lucinda Childs discussed the collaborative research effort that led to our fourth danceworkbook.
Donna Graves is a historian and cultural planner with over 20 years experience developing public history projects that document and interpret unrecognized histories.
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.
This paper by Indonesian dance scholar Sal Murgiyanto was originally presented at “Traces of Tradition,” a panel discussion held at the International Dance Conference, August 1-4, 2004.
Melanie Stewart Dance Theatre creates performance with a focus on devised work that often includes forays into pop culture, political satire, and the human condition.
Kim Whitener is the Producing Director at HERE in New York, where she works in partnership with Artistic Director Kristin Marting to curate and produce HERE’s performance programs and activities. She also served as the Center’s panel chair in theater in 2013 and as a Performance LOI panelist in 2014 and 2015.
The next phase of a multi-part conversation about historic preservation, first initiated in 2011, Gray Area 3 will convene community members around the “adaptive re-use” of two vacant Philadelphia buildings of historic, cultural, or architectural significance.
Pig Iron Theatre Company’s Center-funded School for Advanced Performance Training was featured in the Philadelphia Inquirer.
Richard Schechner is a legendary downtown theater artist, currently on faculty at NYU’s Tisch School of the Arts, where he was one of the founders of the Performance Studies department.