Flamenco purists may consider Israel Galván a rebel, though he doesn’t see it that way. The maverick choreographer and dancer, who grew up in a prominent flamenco family in Seville, has incorporated an eclectic blend of influences into his performances, blurring the lines of innovation and tradition.
We caught up with Galván in March, during the week of his Center-funded performances at Pasión y Arte’s Philadelphia Flamenco Festival. As he says in the following interview, “One has to be pure with yourself and impure with the history that already exists.”
The New Year brings to the region an exciting array of Center-funded projects that promise to inspire, inform, and captivate audiences—from interdisciplinary works that blur boundaries in imaginative ways to unique commissions from international artists.
Caribbean-American dancer-choreographer Tania Isaac (Pew Fellow, 2011) fuses choreography with personal documentary and social commentary.
Kevin Ward is a former director of Santa Fe’s Dayton Contemporary Dance Company.
As part of the ongoing interdisciplinary project Endless Shout, acclaimed musician, composer, and scholar George Lewis presents a series of performances and discussions.
Andrew Horwitz is a writer, producer, curator and creative strategist with over 20 years of experience in the for-profit and not-for-profit creative sectors.
David Devan is general director and president of Opera Philadelphia, where he works on strategic planning initiatives and builds partnerships within the Philadelphia community and the opera world.
New works from composers Curt Cacioppo and Maurice Wright drew inspiration from the culture of Lenape Indians.
Pulitzer Prize-winning playwright Paula Vogel outlines her research process for her holiday production, A Civil War Christmas.
A young choreographer who has already produced provocative, experimental dance works, Poe (Pew Fellow, 2011) is the founder of dance/theater company idiosynCrazy productions.
An actor, director, stage designer, and playwright, Thaddeus Phillips “creates visual spectacles that take audiences to new frontiers.”
Writer and dancer Wendy Perron evokes Trisha Brown to explain why contemporary dance is open to multiple meanings.
Dedicated to supporting and promoting Latin American culture, Raices Culturales LatinoAmericanas produces a variety of community programs and cultural showcases.