Fellows Friday: Q&A with Lori Waselchuk

Lori Waselchuk, 2012 Pew Fellow. Photo by Colin Lenton.

As part of our “Fellows Friday” web feature, we focus on the artistic lives of our Pew Fellows: their aspirations, influences, and creative challenges. This week, we speak to 2012 Pew Fellow Lori Waselchuk. A 2013 Leeway Transformation Award winner, Waselchuk’s photographs have appeared in magazines and newspapers such as Time, LIFE, the New York Times, and the Los Angeles Times. She is currently interviewing and photographing Philadelphia block captains for a new project, Them That Do, which reveals the individual and shared histories of the city’s diverse citizenry. Click here to read Waselchuk’s recent piece about the project in Next City.

When did you know you were going to be an artist?

I’m not sure if I trusted that title for myself until I received the Pew Fellowship! So, two years ago.

What images or things keep you company in the space where you work?

Books, posters, postcards of shows, and photos of my kids. Some work by other photographers. I have one photo of myself, arm-in-arm with Desmond Tutu. I’m always the one taking pictures of others with famous people, and this was the one time I gave my camera to someone else to take a picture. I am so glad I did.

What could you imagine doing if you didn’t do what you do?

I think I could do so many things and find fulfillment as long as I’m in the trenches of life—meaning that I’m working directly with people, helping to solve problems. If I ever get tired of photography (unlikely) and if I could move straight into a job (without having to go back to school), I would like to work with the Committee to Protect Journalists or a similar organization that works to promote press freedom in the world.

How has your thinking about the business of your practice changed since you started working professionally?

I now believe that my work can be the means to build a secure future. I never really thought that before.


Collaborators & Colleagues

John Corbett is a writer, musician, radio host, teacher, record producer, concert promoter, and, with co-owner Jim Dempsey, of Corbett vs. Dempsey art gallery in Chicago.

Collaborators & Colleagues

Jock Reynolds has been the Henry J. Heinz II Director of the Yale University Art Gallery since 1998.

Originally created with Center support for the 2012 FringeArts Festival, Georgia Tech Arts now presents Thaddeus Phillips’ Red-Eye to Havre de Grace at the Ferst Center for the Arts.

Grants & Grantees

In 1992 the Center awarded Pew Fellowships to 16 visual arts, dance, and music artists in the greater Philadelphia region, including Odean Pope and Judith Schaechter.

Grants & Grantees

María Teresa Rodriguez is a media artist and a 2001 Pew Fellow.

Grants & Grantees

InterAct Theatre Company is committed to producing socially and politically relevant work for theater.

Grants & Grantees

Headlong Dance Theater produced Improvisation Lab, an interdisciplinary movement project that involved choreographer Miguel Gutierrez and Dan Rothenberg of Pig Iron Theatre Company.

Collaborators & Colleagues

Jeffrey Horowitz, founding artistic director of Brooklyn’s Theatre for a New Audience, began his career in theater as an actor on Broadway, off-Broadway, and in regional theater.

Grants & Grantees

This multidisciplinary chamber opera for mezzo-soprano Sasha Cooke and string quartet will focus on the experience of childhood and feature a mechanical, electronic sound-generating sculpture that will grow from a small music box into a seven-foot tall object as the performance unfolds, creating a riveting visual and musical experience.

Grants & Grantees

In 1997 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 46 dance, music, and theater organizations in the greater Philadelphia region.

Grants & Grantees

Linh Dinh is a poet and a 1993 Pew Fellow.

Grants & Grantees

Enid Mark (1932–2008) was a visual artist and a 2001 Pew Fellow.