We asked Nick Stuccio, President and Producing Director at FringeArts, to comment on how curation in performance might differ from curation in the visual arts. He explained that in the world of visual art, the curator’s role and ideas “are so much more present; they are alongside the art,” whereas in performance, curation might be “off-putting” to the audience.
Nick Stuccio serves as President and Producing Director at FringeArts, and is the co-founder of the Philadelphia Fringe Festival. His career in the arts began with an intensive study of classical ballet at Skidmore College, where he also earned a degree in biology. His dedication to the form led to an apprenticeship with the Pennsylvania Ballet and eventually a position as a corps member with the company. With Center support, FringeArts is presenting a re-imagined production of Available Light by choreographer Lucinda Childs, architect Frank Gehry, and composer John Adams at the Fringe Festival in September 2015.
Eric Jacobsen, a conductor and cellist hailed by The New York Times as “an interpretive dynamo,” has built a reputation for engaging audiences with innovative and collaborative projects. In 2015, Jacobsen served as a Performance LOI panelist.
A number of Center-supported performances take the stage this summer, including seven new musical commissions by The Crossing and the world premiere of Pablo Batista’s music and dance production El Viaje (The Journey).
Terrence Cameron is a musician and a 2000 Pew Fellow in folk and traditional arts.
FringeArts will produce a re-imagined production of this seminal multidisciplinary work by choreographer Lucinda Childs, architect Frank Gehry, and composer John Adams at its September 2015 festival in Philadelphia.
Pew Fellow Christopher Colucci on his progression from musician to sound designer, the music and books that inspire him, and more.
Wooley’s rigorous study and extensive performance of a wide variety of musical scores offers us an expert musical perspective, as well as unique insight, into our questions of (co-)authorship.
1812 Productions is the country’s only regional theater devoted entirely to comedy, with a history of over 50 shows.
Dance scholar Linda Caruso Haviland revisits the work of choreographer William Forsythe and his efforts to re-substantiate what he calls its “trace” in the world.
Thaddeus Phillips (Pew Fellow, 2002) creates theater works that use transformational scenography, documentary footage, and improvisation to peer into not-often seen worlds.
Over its 18-year history, Montgomery County Community College (MCCC) Lively Arts Series has engaged local and national artists to share their work with the college and surrounding Blue Bell community.
Designer Jenny Sabin’s PolyMorph is on display in France and bandleader Marshall Allen performs at Lincoln Center on October 5, 2013.
Founded in 1986, Sruti promotes and presents Indian classical music and dance to educate the greater Philadelphia community on the importance of Indian arts.