Taking a cue from Bryn Mawr College’s year-long series, Trisha Brown: In the New Body, we asked dancer and former Trisha Brown Dance Company member Wendy Perron how Brown imagined and interpreted “the new body.” Perron recalls the choreographer’s fascination with “wanting to see the body horizontal in space.”
With Center support, Bryn Mawr College presents Trisha Brown: In the New Body, which culminates in performances of Brown’s O zlozony/O composite by the Pennsylvania Ballet, June 9-12, 2016.
Wendy Perron is a writer, dancer, choreographer, and editor-at-large of Dance Magazine. Perron is a former member of the Trisha Brown Company, and her own group, the Wendy Perron Dance Company, appeared at the Lincoln Center Festival, The Joyce Theater, Danspace Project, and other venues in the US and abroad from 1983-97. Perron is the author of Through the Eyes of a Dancer, and has contributed reviews and features to publications including The New York Times, Village Voice, Ballet Review, and Dance Magazine.
Voloshky Ukrainian Dance Ensemble released a video trailer for its Center-funded performance, Steppes: A Crossover, featuring the premiere of a piece by Mark Morris.
Voloshky Ukrainian Dance Ensemble created new costumes and re-orchestrated the music for the company’s Carpathian dances.
Choreographer Stephen Petronio and artist Janine Antoni on how visual arts organizations can invite audiences into performative experiences.
Since 1980, Susan Hess Modern Dance has sought to grow the audience for contemporary dance and support independent dance artists in the Philadelphia community.
Ally is a performance-as-exhibition, conceived by MacArthur Fellow Janine Antoni in collaboration with pioneering choreographer Anna Halprin and contemporary dance artist Stephen Petronio.
A workshop and small grant opportunity, No Idea Is Too Ridiculous allows Center constituents to explore creativity and risk-taking.
Kim Arrow is a dance artist and a 2003 Pew Fellow.
Since 2007, Helguera, a visual and performance artist, has served as director of adult and academic programs in the department of education at the Museum of Modern Art, New York.
The Philadelphia Chamber Music Society will hold a panel discussion exploring the effect that accumulated knowledge and experience has on artistic creation.
We speak with Xavier—2013 Pew Fellow, hip-hop dancer, and Post-it aficionado—whose recent work The Unofficial Guide to Audience Watching Performance was hailed by Dance Magazine as “artful and mesmerizing.”
Supported by the Center, the country’s first-ever queer jazz festival will address intersections of sexual orientation, gender identity, and jazz music, and will take place September 18–21, 2014.
The Wilma Theater creates living, adventurous art through bold and ambitious design choices.