In conjunction with the Center-funded project re-PLACE-ing Philadelphia from Painted Bride Art Center, we asked choreographers Reggie Wilson and Faustin Linyekula about the concept of “place.” For Wilson, “place does exist as a concrete thing, but it also exists in stories, in histories,” he says in a conversation with artist Marty Pottenger. Linyekula considers the idea of place one of “permanent negotiation”—a dynamic space in which people engage to “find some common ground,” as he explains.
Reggie Wilson is the artistic director of Reggie Wilson/Fist & Heel Performance Group, where he presents his unique blend of African and post-modern dance styles. Wilson’s work has been presented nationally and internationally at venues such as Brooklyn Academy of Music, Jacob’s Pillow Dance Festival, REDCAT, and Dance Umbrella. He is the recipient of a 2002 Guggenheim Fellowship, 2009 United States Artist Fellowship, and a 2009 Herb Alpert Award in Dance, among others. Learn more.>>
Faustin Linyekula, based in Kinshasa, is a leading contemporary African choreographer. He is the founder of Studios Kabako, a dance and visual arts center in the Democratic Republic of Congo that provides dance training and performs Linyekula’s work in Africa and abroad. Linyekula has collaborated with international artists from France, Morocco, Ethiopia, and Sweden, and is the recipient of a 2007 Principal Award from the Prince Claus Fund for Culture and Development. Learn more.>>
Thomas F. DeFrantz directs SLIPPAGE: Performance|Culture|Technology and teaches in dance and African and African-American Studies at Duke University.
Pasión y Arte is an all-female dance company that creates challenging and original modern flamenco works.
A choreographer best known for her work in contemporary Cuban dance, Boan shared her work with the Philadelphia community from 2005–10.
A live and digital theatrical experience will question the impact of technology on human connectivity as two actors perform their roles on separate continents—one live in a theater and the other projected through a live-streaming video feed.
Robert Lepage’s multi-media theater work was inspired by stories written by famed Danish author Hans Christian Andersen.
Laurie Uprichard is the executive director of Stephen Petronio Company, and former director of the Dublin Dance Festival.
Tomah uses traditional folk songs of compassion, trust, and reconciliation to generate collective strength and foster dialogue about critical issues facing Liberian immigrant communities.
Two recently completed Center-supported projects have released publications documenting artistic collaborations and community engagement processes.
Actress Estelle Parsons has found success on stage, screen, and television, often playing characters who can best be described as fanatical or neurotic.
The Pew Center for Arts & Heritage (the Center) today announced 53 grants in support of the Philadelphia region’s cultural organizations and artists. The 2016 awards total more than $10 million and provide funding for 12 new Pew Fellowships, 36 Project grants, and 5 Advancement grants.
Isaac choreographed an evening-length, semi-autobiographical work about motherhood that combines American and Caribbean dance aesthetics.
The Michener Art Museum presents a series music performances and dance workshops that capture the spirit of the 1920s.