Dutch visual artist Jeanne van Heeswijk spoke with us about the connection between autonomy and authorship in the context of her work, which creates interactions in public spaces and explores social issues. “It’s very important to let go of your subject position in order to meet the other and to create something…but of course you have to have a position to start with, and be able to let go,” she says. “It’s a collective exercise that we all have to do.”
With Center support, the Philadelphia Museum of Art is collaborating with van Heeswijk and a group of local artists and community members to present Philadelphia Assembled, an expansive project that combines art, performance, and civic engagement to reflect on Philadelphia’s urban fabric. Learn more on the project website.>>
Jeanne van Heeswijk is a visual artist whose work centers on the complex relationship between public space and urban renewal. Her work has been featured in publications and exhibitions worldwide, including the Liverpool, Shanghai, and Venice biennials. She is the recipient of the Curry Stone Prize for Social Design Pioneers, and the inaugural Keith Haring Fellowship in Art and Activism at Bard College.
James Sugg (Pew Fellow, 2010) describes himself as a bridge—a bridge between music and theater, composer and performer, and traditional and ensemble-generated theater.
Bill Adair, director of Exhibitions & Public Interpretation at The Pew Center for Arts & Heritage, is featured in the fall 2016 issue of Exhibition.
The Library Company of Philadelphia presents a conversation on living with blindness and vision loss.
The new web-based publication In Terms of Performance provokes dialogue, debate, and discovery in an anthology of keywords designed to generate shared literacies.
Built in 1829, Eastern State Penitentiary was once the most famous prison in the world. For more than a decade, the prison has had an active contemporary art program.
Several ongoing and recently completed Center-funded Exhibitions & Public Interpretation projects have received national and regional media coverage in recent months.
AUX Curatorial Fellow Jamillah James lectures about her residency and introduces her recent projects and ongoing research.
Structural preservation of the Pearl S. Buck House, a National Historic Landmark.
Graphic artist Marian Bantjes talks about how embellished text can provoke engagement with the reader.
The Village of Arts and Humanities supports the voices and aspirations of the community and inspires people to be agents of positive change through programs that encompass arts and culture, engage youth, revitalize community, preserve heritage, and respect the environment.
The Michener Art Museum presents a series music performances and dance workshops that capture the spirit of the 1920s.
Mike Bullock is a composer, improviser, and media artist whose work encompasses electro-acoustic improvisation, video, synthesizer, voice, contrabass, and bass guitar.