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The Pew Center for Arts & Heritage

Financial planning tips from Amy Smith

Posted by Asimina Chremos | November 21, 2011

Amy Smith explains the finer points of bookkeeping.

On November 15, Amy Smith (Pew Fellow, 2006) led a financial skills workshop for fellows here at the Center. A choreographer and cofounder of Headlong Dance Theater, Smith says she taught herself how to understand bookkeeping, budgeting, tax preparation, and financial management. "It is my personal mission to help other artists increase their financial literacy, get control over their personal finances, and only pay as much in taxes as they actually owe (not more).”

Here are a few financial tips for artists from Smith:

  • Segregate personal expenses from art-related ones with a separate checking account.
  • Spend money on deductible expenses that improve your artistic life. Don't scrimp on materials or doing research visits to museums, etc. Those things are deductible!
  • Don't be afraid to claim as many art-related expenses as you can as deductions on your Schedule C. Ask yourself: Would I be spending money on this item or experience if I did not have a creative practice? If the answer is no, you can probably deduct it—and spend that money out of your art account so you can easily track it come tax-time.
  • Be careful not to take a loss from your practice year after year. This not only leads to burnout and unsustainability, but the IRS may flag your return under the "hobby loss provision" and say your artwork is a hobby, and thus the expenses become non-deductible.

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Labels:  amy smith  finance  financial skills  headlong dance theater  pew fellows  pew fellowships in the arts  workshop 

Fairmount Park Art Association’s ‘Museum Without Walls’

Posted by Jordan Shue | November 18, 2011

Last week we were so happy to see one of our grantees, the Fairmount Park Art Association, featured in USA Today Travel as one of the "10 great sculpture gardens across the USA." This was pretty exciting news, especially considering how much competition there is throughout the whole country. We were particularly pleased to note that USA Today made mention of FPAA’s Museum Without Walls project, which received support from the Center’s Heritage Philadelphia Program. Find out what USA Today had to say about FPAA after the jump.


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Labels:  fairmount park art association  heritage philadelphia program  hpp  museum without walls  pcmi  philadelphia cultural management initiative  philadelphia cultural managment initiative  sculpture gardens  social media  travel  usa today 

Fellows News & Events Online

Posted by Asimina Chremos | November 18, 2011

New Phillycentric online publication Flying Kite reports that 1995 Pew Fellow Isaiah Zagar hopes to create an indoor version of the Philadelphia Magic Gardens in a warehouse at 10th and Watkins Streets. Read article >

Saxophonist Odean Pope (Pew Fellow, 1992) will be a featured guest with The Makanda Project for its end-of-the-year celebration performance on December 3 in the Boston, MA area. The Makanda Project is an ensemble dedicated to continuing the legacy of jazz woodwind artist Makanda Ken McIntyre through the performance of his music. Event info >

You can now download a free podcast of works by composer James Primosch...


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Labels:  bruce metcalf  burlington free press  charles burns  edith newhall  elaine hoffman watts  emily brown  etsy  gallery joe  isaiah zagar  james primosch  jan krzywicki  major jackson  makanda project  nami yamamoto  network ensemble  odean pope  pew fellowships in the arts  philadelphia inquirer  philadelphia magic gardens  rochester institute of technology  russell davis  sonia sanchez  susan stewart  university of vermont 

Sneak Peek: Tania Isaac’s White Box Residency at the Center

Posted by Nicole Steinberg | November 17, 2011

Creative exploration and curiosity are afoot at the Center, thanks to the start of a new project spearheaded by current visiting artist Ain Gordon, dubbed the “White Box Residencies.” The name refers to the white square in our logo and signifies the Center as the place where all of our disciplinary programs meet in the middle and share common ground. Gordon, who has had a keen interest in discovering more about the Center itself since he arrived, will pick one artist at a time for creative investigations into the Center’s space. The residencies are experimental in nature, as each artist looks to the Center and its various activities for inspiration and direction.

The first White Box artist is Tania Isaac, a 2011 Pew Fellow in dance and choreography. For the past few weeks, Isaac has peppered the walls of the Center with blank pages for writing and sharing ideas, in an evolving project called “The Notebook.” Center staff took her cues to jot down thoughts in response to questions about artistic practice and Center life, and also recorded their daily travels around the Center with color-coded, initialed dots on strategically placed papers around the office. When Gordon came up with the idea for the White Box Residencies, Isaac was immediately drawn to the premise: “More than almost anything else I am curious and I love questions. I would broadly define the work I do as a choreographer, writer, and insatiably curious human, as investigation or observation or perhaps even morbid fascination with culture in its broadest and most intimate terms; from extended historical intersections between countries to the nuances of brief encounters between individuals."

The Center website will soon feature a White Box Residency page that records each of these artists’ stays and the projects that grow out of their interactions with Center staff and the space itself. In the meantime, take a sneak peek at photos of Isaac’s “Notebook,” and read her thoughts about navigating the project’s evolution, the surprises that arose during her time here, and how she feels “The Notebook” has been received.


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Labels:  ain gordon  dance  pew fellow  residency  tania isaac  visiting artist  white box residencies 

Braindrop: Mary Jane Jacob

Posted by PEI | November 15, 2011

"Recent developments in curatorial practice outside museums and in public art have made the audience a new frontier for contemporary art."

—Mary Jane Jacob, writing in the catalogue for Culture in Action (1993)

 

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Labels:  audience connection  audience engagement  audience participation  audiences  braindrop  curating  mary jane jacob  philadelphia exhibitions initiative