The Crossing conductor Donald Nally and violinist, Al-Bustan Seeds of Culture music director, and Pew Fellow Hanna Khoury discuss their experiences of blending musical languages and traditions in a performance that brought together a classical Arab chamber ensemble and a Western choir. Unlike Western music, Arabic music “relies very much on the oral tradition,” Khoury explains. “If you have musical sheets [in Arabic music], they are mostly confined to the idea of a skeletal structure that needs all of these embellishments.”
With Center support, Al-Bustan premiered two new compositions by Arab-American composers Kareem Roustom and Pew Fellow Kinan Abou-afach, inspired by Andalusian poetry, during a concert in December 2015 with soloist Dalal Abu Amneh and The Crossing, as part of Words Adorned: Andalusian Poetry and Music.
Hanna Khoury is a violinist trained in the classical traditions of Arab and Western music. A 2013 Pew Fellow, Khoury is music director of Al-Bustan Seeds of Culture, and directs the Arab Music ensemble at the University of Pennsylvania. He is currently a PhD candidate in Ethnomusicology at the University of Pennsylvania exploring popular culture and nationalism. As a performer, Khoury continues to collaborate with a number of prominent artists including Mandy Patinkin, in addition to solo engagements and residencies throughout the country.
Donald Nally is conductor of The Crossing, a professional chamber choir focused on new music. He is director of choral organizations at Northwestern University and chorus master of The Chicago Bach Project. Nally has held tenures as chorus master for Lyric Opera of Chicago, Welsh National Opera, Opera Philadelphia, Spoleto USA, and for many seasons at the Spoleto Festival in Italy.
Using the arts as a catalyst for community dialogue and engagement around race and class in Philadelphia’s diverse Germantown neighborhood, this multi-part project will join artists such as Benjamin Volta and poet Sonia Sanchez, and historians from across the US to create public art installations, educational programs, and community events.
Winner of two Walter W. Naumburg Awards, soprano Lucy Shelton enjoys an international career bringing her dramatic vocalism and interpretive skills to repertoire of all periods.
In 2000 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 47 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
LIVE REMIX is a three-part event guest curated by Tom Sellar, including a discussion with director Ivo van Hove, part of a series of programming related to the Center-funded performance of Ivo van Hove’s work After the Rehearsal/Persona.
In June 2013, Pennsylvania Ballet presented the Center-funded company premiere of William Forsythe’s Artifact Suite, which was previewed by ABC 6 Action News.
Supporting, documenting and presenting Philadelphia area folk arts, the Philadelphia Folklore Project is committed to sustaining community cultural knowledge.
Ars Nova Workshop presented this citywide concert series in May 2014, at which celebrated jazz artists played in unconventional venues throughout Philadelphia, known for their rich histories.
MacArthur Fellow Ken Vandermark and the Made to Break Ensemble premiere a piece inspired by the Barnes Foundation’s collection.
Anthony Fogg’s career combines performance with arts administration, and, in both aspects of his work, he is a strong champion of contemporary composers.
Composer Vijay Iyer and librettist Mike Ladd on how improvisation functions within their creative process.
Dean R. Gladden is in his eighth season with Houston’s Alley Theatre, where he is responsible for the administrative, financial, marketing, facilities, and development aspects.
Kent De Spain is a dancer and a 1992 Pew Fellow.